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Tracing the Archival Lives of Radio: Recorded Sound  Collections in Belgian and Dutch Radio (1930s-1950s) Cover

Tracing the Archival Lives of Radio: Recorded Sound Collections in Belgian and Dutch Radio (1930s-1950s)

Open Access
|Oct 2022

Figures & Tables

Figure 1

Photo depicting staff at work and behind them, rows of storage shelves for sound recordings in the NIR-INR recorded sound collection (discotheek), Brussels, Belgium. Dated as 1930s. Source: VRT Archive.

Figure 2

AVRO’s studio complex in Hilversum, The Netherlands (top), the recorded sound collection (bottom left) and the announcer Guus Weitzel preparing a programme (bottom right). Source: J.J.L. van Zuylen, Encyclopaedie voor Radio-Luisteraars (Baarn: Schuyt, 1939), 16-17.

Figure 3

German-language standard form used for registering radio sound recordings including reference to a system of disc numbers, dated August 10, 1940, for the Flemish-language broadcaster Zender Brussel during the German occupation, in Brussels, Belgium. Source: CegeSoma Brussels, file no. AA33 19/09/40.

Figure 4

The former German bunker used by the Dutch national radio union soud archive to keep historical tape recordings cool (image top-right), along with images of the recorded sound collections (NRU-Discotheek) located in the AVRO building, Hilversum, The Netherlands. Source: K.S. “Oude hoorspelen zitten in een Duitse bunker.” Radiogids 25 no. 42 (June 1955): 5.

Figure 5

Damage at studio facilities at the NIR-INR building in Brussels, Belgium, including deliberately scratched and broken discs and unreeled tapes, ca. September 1944. Source: VRT Archive.

Figure 6

Archival list of the records (May-June 1940) that NIR-INR director Jan Boon brought back from France to the broadcast house in Brussels, Belgium. Source: National Archives of the Belgische Radio en Televisie (BRT), Inventory I 503, file no. 90.

DOI: https://doi.org/10.18146/tmg.819 | Journal eISSN: 2213-7653
Language: English
Page range: 1 - 30
Published on: Oct 4, 2022
Published by: Sound & Vision
In partnership with: Paradigm Publishing Services

© 2022 Carolyn Birdsall, published by Sound & Vision
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 License.