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Representations of Black Masculinity in Oscar Micheaux’s Silent Film Within Our Gates Cover

Representations of Black Masculinity in Oscar Micheaux’s Silent Film Within Our Gates

By: Fatma Chenini  
Open Access
|Jan 2021

References

  1. Bell-Jordan, Katrina E. 2013. “Still Subscribing to Stereotypes: Constructions of Black Masculinity in Popular Magazines.” Masculinity in the Black Imagination. Ronald L. Jackson II and Mark C. Hopson (Eds.). Black Studies and Critical Thinking. N.p: Peter Lang, New York, 129-45.
  2. Bowser, Pearl, and Charles Musser. 2016. “Introduction: Oscar Micheaux and Race Movies of the Silent Period.” Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Jane Gaines (Ed.). Bloomington: Indiana UP, Xvii-xx.
  3. Bowser, Pearl, Jane Gaines, and Charles Musser. 2016. Oscar Micheaux & His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Bloomington: Indiana UP.
  4. Butters, Gerald R. 2002. Black Manhood on the Silent Screen. Kansas: University Press of Kansas.
  5. Butters, Gerald R. 1998. “Portrayals of Black Masculinity in American Silent Films, 1896-1929.” Kansas: University Press of Kansas.
  6. DuBois, William Edward Burghardt, Henry Louis. Gates, and Arnold Rampersad. 2007. The Souls of Black Folk. Oxford: Oxford U.
  7. Gaines, Jane. 2001. Fire and Desire: Mixed-Race Movies in the Silent Era. Chicago: The University of Chicago Press,10.7208/chicago/9780226278735.001.0001
  8. Gaines, Jane. 2016. “Within Our Gates: From Race Melodrama to Opportunity Narrative.” Oscar Micheaux & His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Pearl Bowser, Jane Gaines, and Charles Musser (Eds.). Bloomington: Indiana UP, 67-79.
  9. Green, Ronald J. Straight Lick the Cinema of Oscar Micheaux. Indiana University Press, 2000.
  10. Hale, Grace Elizabeth. 1999. Making Whiteness: The Culture of Segregation in the South, 1890-1940. New York: Vintage Books.
  11. hooks, bell. 1992. Black Looks: Race and Representation. Boston: South End.
  12. Jackson, Ronald L., and Mark C. Hopson. 2013. Masculinity in the Black Imagination: Politics of Communicating Race and Manhood. New York: Peter Lang.
  13. Pochmara, Anna. 2011. The Making of the New Negro: Black Authorship, Masculinity, and Sexuality in the Harlem Renaissance. Amsterdam: Amsterdam UP. Print.10.5117/9789089643193
  14. Regester, Charlene. 2016. “The African-American Press and Race Movies, 1909–1929.” Oscar Micheaux & His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Pearl Bowser, Jane Gaines, and Charles Musser (Eds.). Bloomington: Indiana UP, 34-49.
  15. Sampson, Henry T. 1995. Blacks in Black and White: A Source Book on Black Films. Scarecrow Press.
  16. Smangs, Mattias. 2017. Doing Violence, Making Race. New York: Routledge.10.4324/9781315544649
  17. Taylor, Toniesha L. 2013. “‘Class, Meet Race’: A Critical Re-Scripting of the Black Body through Ghetto and Bourgeois Characters in American Films.” Masculinity in the Black Imagination. Amber Johnson. Ed.Ronald L. Jackson II and Mark C. Hoson (Eds.). N.p.: Peter Lang, New York, 113-28.
  18. Wallace, Michele. 2016. “Oscar Micheaux’s Within Our Gates: The Possibilities for Alternative Visions.” Oscar Micheaux & His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Pearl Bowser, Jane Gaines, and Charles Musser (Eds.). Bloomington: Indiana UP, 53-66.
  19. Williamson, Joel. 1984. The Crucible of Race: Black-White Relations in the American South since Emancipation. Oxford: Oxford University Press.
DOI: https://doi.org/10.1515/rjes-2020-0005 | Journal eISSN: 2286-0428 | Journal ISSN: 1584-3734
Language: English
Page range: 31 - 37
Published on: Jan 5, 2021
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2021 Fatma Chenini, published by West University of Timisoara
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.