References
- Carruthers, Victoria. 2011. “Dorothea Tanning and her Gothic Imagination.” Journal of Surrealism and the Americas 5(1-2):134-158.
- Conley, Katharine. 2009. “Safe as Houses: Anamorphic Bodies in Ordinary Spaces: Miller, Varo, Tanning, Woodman” in Angels of Anarchy, Women Artists and Surrealism. Patricia Allmer (Ed.). Munich: Prestel, pp.46-53.
- Jouffroy, Alain. 1993 [1974]. “Interview” in Dorothea Tanning. Sune Nordgren (Ed.). Malmö: Malmö Konsthall Art Gallery. Exhibition catalogue.
- McAra, Catriona. 2011a. “Surrealism’s Curiosity: Lewis Carroll and the Femme-Enfant.” Papers of Surrealism, Issue 9, Summer 2011, pp.1-25.
- McAra, Catriona. 2016. A Surrealist Stratigraphy of Dorothea Tanning’s Chasm. New York: Routledge. Available: https://books.google.ro/books?id=ofp5DQAAQBAJ&pg=PT134&dq=dorothea+tanning&hl=ro&sa=X&redir_esc=y#v=onepage&q=dorothea%20tanning&f=false [Accessed 2016, October 1].
- Nordgren, Sune. 1993. Dorothea Tanning. Malmö: Malmö Konsthall Art Gallery. Exhibition catalogue.
- Tanning, Dorothea. 1986. Birthday. Santa Monica: Lapis Press.
- Tanning, Dorothea. 2001. Between Lives: an Artist and her World. New York: W.W. Norton & Co.
- Tanning, Dorothea. 2004. Chasm: A Weekend. London: Virago Press.
- Chadwick, Whitney. 1985. Women Artists and the Surrealist Movement. London: Thames and Hudson.
- Conley, Katharine. 2013. Surrealist Ghostliness. Lincoln: University of Nebraska Press.
- Mahon, Alyce. 2007. Eroticism and Art. New York: Oxford University Press.
- McAra, Catriona. 2011b. “‘Blind Date’: Tanning’s Surrealist Anti-Tale” in Anti-Tales: The Uses of Disenchantment. Catriona McAra and David Calvin (Eds.). Newcastle upon Tyne: Cambridge Scholars Publishing, pp.100-114.
- McAra, Catriona. 2011c. “(Re-)reading (Post-)Surrealism Through Dorothea Tanning’s Chasm: The Femmeenfant Tears Through the Text” in Postmodern Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings. Anna Kérchy (Ed.). Lampeter and Lewiston: Edwin Mellen Press, pp. 421-442.
- McAra, Catriona. 2013. “Sadeian Women: Erotic Violence in the Surrealist Spectacle” in Violence and the Limits of Representation. Graham Matthews and Sam Goodman (Eds.). Basingstoke: Palgrave Macmillan, pp.69-89.
- Wood, Gaby. 2004. “‘I’ve always been perverse’. Interview with Dorothea Tanning”. The Observer, August 2004, p.7. Available: http://www.theguardian.com/artanddesign/2004/aug/15/art.fiction [Accessed 2016, September 15].