Abstract
The paper looks at Shakespeare’s comedy Much Ado about Nothing, as well as two film adaptations of the play, from a reader-oriented perspective, offering samples of an expert reading of the play, an initiated reading and a so-called “innocent” reading. We compare the three approaches taking into consideration the reception of the play’s motifs (such as the bedtrick) and the conventional reaction of the readers to them.
Language: English
Page range: 110 - 122
Published on: Nov 27, 2015
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Related subjects:
© 2015 Dana Percec, Codruţa Goşa, published by West University of Timisoara
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.
