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CPLENARY SESSION II. Digital Aestethics. Comments on Tom Gunning’s and Vivian Sobchack’s presentations Cover

CPLENARY SESSION II. Digital Aestethics. Comments on Tom Gunning’s and Vivian Sobchack’s presentations

By: Karin Becker  
Open Access
|Feb 2017

References

  1. Bal, Micke (2003) Visual Essentialism and the Object of Visual Culture, Journal of Visual Culture 2 (1): 5-32.10.1177/147041290300200101
  2. Bazin, André (1964) The Myth of Total Cinema, in What is Cinema?, trans. Hugh Gray, Berkeley: University of California Press.
  3. Benjamin, Walter (1969) The Work of Art in the Age of Mechanical Reproduction”, in Illuminations, trans. Harry Zohn, New York: Schocken Books.
  4. Benjamin, Walter (1979) A Small History of Photography, in One Way Street; trans. Edmund Jephcott & Kingsley Shorter, NLB/Verso.
  5. Bolter, Jay David, & Richard Grusin (1999) Remediation. Understanding New Media. Cambridge MA: MIT Press.10.1108/ccij.1999.4.4.208.1
  6. Fornäs, Johan (2001) Passager och möten, in Becker, Karin et al. (eds.), Passager. Medier och kultur i ett köpcentrum. Stockholm: Nya Doxa.
  7. Lehtonen, Mikko (2000) On No Man’s Land: Theses on Intermediality, in Nordicom-Information, 22:3-4.10.1515/nor-2017-0346
  8. Sturken, Marita, & Lisa Cartwright (2001) Practices of Looking. Oxford: Oxford University Press.
DOI: https://doi.org/10.1515/nor-2017-0270 | Journal eISSN: 2001-5119 | Journal ISSN: 1403-1108
Language: English
Page range: 53 - 56
Published on: Feb 28, 2017
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2017 Karin Becker, published by University of Gothenburg Nordicom
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.