Have a personal or library account? Click to login
Vernacular Meaning Making Cover
By: Tomas Axelson  
Open Access
|Oct 2015

References

  1. Arendt, Hannah (1996). Den banala ondskan: Eichmann i Jerusalem [Eichmann in Jerusalem : a report on the banality of evil]. Göteborg: Daidalos
  2. Anderson, Joseph D. & Anderson, Barbara Fisher (eds.) (2005). Moving image theory: ecological considerations. Carbondale: Southern Illinois University Press
  3. Axelson, Tomas (2014). Förtätade filmögonblick: den rörliga bildens förmåga att beröra [Condensed moments of film : moving images moving minds]. Stockholm: Liber
  4. Axelson, Tomas (2011). ’Rörliga bilder, självreflektion och moralisk mening’ [Moving images, self reflection and moral meaning], pp 191-209 in Berglund, Jenny & Gunner, Gunilla (eds.), Barn i religionernas värld [Children in the worlds of religion]. Stockholm: Liber
  5. Axelson, Tomas. (2008). ‘Movies and Meaning: Studying Audience, Fiction Film and Existential Matters’. In Particip@tions : Journal of Audience and Reception Studies. Volume 5 (1).
  6. Avila, Mitch (2007). ‘From Film Emotion to Normative Criticism’, pp 219-237 in Johnston, Robert K. (eds.) Reframing theology and film: new focus for an emerging discipline. Grand Rapids, Mich.: Baker Academic
  7. Barker, Martin (2009). ‘Changing lives, challenging concepts: Some findings and lessons from the Lord of the Rings project’. International Journal of Cultural Studies. Volume 12 (4): pp 375 – 393. Sage Publications10.1177/1367877909104244
  8. Best, Susan (2007). ‘Rethinking Visual Pleasure: Aesthetics and Affect’. Theory & Psychology. Volume 17: pp 505-514. Sage Publications10.1177/0959354307079295
  9. Billig, Michael (1995). Banal nationalism. London: Sage
  10. Bordwell, David & Thompson, Kristin (1997). Film art: an introduction. 5. ed. New York: The McGraw-Hill Companies
  11. Bowman, Marion & Valk, Ülo (eds.) (2012). Vernacular religion in everyday life: expressions of belief. Sheffield: Equinox
  12. Bruun Vaage, Margrethe (2009). ‘Self-Reflection. Beyond Conventional Fiction Film Engagement’. In Nordicom Review Volume 30 (2): pp 159 – 178. Gothenburg: Nordicom10.1515/nor-2017-0157
  13. Carroll, Noël (1999). ‘Film, Emotion, and Genre’, pp 21-47 in Plantinga, Carl R. & Smith, Greg M. (eds.) Passionate views: film, cognition, and emotion. Baltimore, Md.: Johns Hopkins University Press
  14. Coëgnarts, Maarten & Kravanja, Peter (2012). ‘Embodied Visual Meaning: Image Schemas in Film’. Projections. The Journal for Movies and Mind. Volume 6, (2): pp 84 – 101. Berghahn Journals10.3167/proj.2012.060206
  15. Dahl, Steven (2013). Folkmord som fiktion [Genocide as fiction]. Lic.-avh. Lund University.
  16. Frampton, Daniel (2006). Filmosophy: [a manifesto for a radically new way of understanding cinema]. London: Wallflower
  17. Hjarvard, Stig (2012). ‘Three Forms of Mediatized Religion’, pp 21-44 in Hjarvard, Stig & Lövheim, Mia (eds.) Mediatization and religion: Nordic perspectives. Gothenburg: Nordicom
  18. Hjarvard, Stig (2008). ‘The mediatization of religion. A theory of the media as agents of religious change’. Northern Lights. The Mediatization of religion. Film & Media Studies Yearbook 2008. Volume 6, pp 9 – 26. Bristol: Intellect
  19. Hjarvard, Stig & Lövheim, Mia (eds.) (2012). Mediatization and religion: Nordic perspectives. Gothenburg: Nordicom
  20. Hoover, Stewart M. (2006). Religion in the media age. London: Routledge10.4324/9780203503201
  21. Jerslev, Anne (2006). ‘Sacred Viewing: Emotional Responses to The Lord of the Rings’, pp 206-221 in Mathijs, Ernest (eds.) The Lord of the Rings: popular culture in global context. London: Wallflower
  22. Johnston, Robert K. (eds.) (2007). Reframing theology and film: new focus for an emerging discipline. Grand Rapids, Mich.: Baker Academic
  23. Klinger, Barbara (2008). ‘What Do Female Fans Want? Blockbusters, The Return of the King and U.S. Audiences’, pp 69-82 in Barker, Martin & Mathijs, Ernest (eds.). Watching the Lord of the Rings: Tolkien’s World Audiences. New York: Peter Lang Publishing
  24. Lied, Liv Ingeborg (2012). ‘Religious Change and Popular Culture’, pp 183-201 in Hjarvard, Stig & Lövheim, Mia (eds.) Mediatization and religion: Nordic perspectives. Gothenburg: Nordicom
  25. Lundby, Knut (eds.) (2009). Mediatization: concept, changes, consequences. New York: Lang
  26. Lynch, Gordon (2007). ‘Film and the Subjective Turn. How the Sociology of Religion Can Contribute to Theological Readings of Film’, pp 109-125 in Johnston, Robert K. (eds.) Reframing theology and film: new focus for an emerging discipline. Grand Rapids, Mich.: Baker Academic
  27. Lövheim, Mia & Bromander, Jonas (eds.) (2012). Religion som resurs: existentiella frågor och värderingar i unga svenskars liv [Religion as a resource : existential matters and values in young Swedes life]. Skellefteå: Artos
  28. Marsh, Clive (2007). Theology goes to the movies : an introduction to critical Christian thinking. London: Routledge
  29. McAdams, Dan, P. (1993). The Stories We Live By : Personal Myths and the Making of the Self. London: The Guilford Press
  30. Murdoch, Graham (2008). ‘Re-enchantment and the popular imagination : fate, magic and purity’. Northern Lights. The Mediatization of religion. Film & Media Studies Yearbook 2008. Volume 6, pp 27-44. Bristol: Intellect10.1386/nl.6.1.27_1
  31. Nordicom-Sveriges mediebarometer: 2012. (2013). Göteborg: Nordicom-Sverige, Nordiskt informationscenter för medie- och kommunikationsforskning [Nordic knowledge centre in the field of media and communication research], Gothenburg University
  32. Nybro Petersen, Line (2012). ‘Danish Twilight Fandom. Transformative Processes of Religion’, pp 163-182 in Hjarvard, Stig & Lövheim, Mia (red.) Mediatization and religion: Nordic perspectives. Gothenburg: Nordicom
  33. Oliver, Mary Beth & Hartmann, Tilo (2010). ‘Exploring the Role of Meaningful Experiences in Users’ Appreciation of Good Movies’. Projections: The Journal for Movies and Mind. Volume 4, (2): pp 128-150. Berghahn Journals10.3167/proj.2010.040208
  34. Plantinga, Carl (2011). ‘Folk Psychology for Film Critics and Scholars’. Projections: The Journal for Movies and Mind. Volume 5, (2): pp 26-50. Berghahn Journals10.3167/proj.2011.050203
  35. Plantinga, Carl (2009). Moving Viewers: American Film and the Spectator’s Experience. Berkeley: University of California Press10.1525/9780520943919
  36. Persson, Per (2000). Understanding cinema: constructivism and spectator psychology. Diss. Stockholm : University Press
  37. Seixas, Peter (1993). ‘Popular Films and Young People’s Understanding of the History of Native American-White Relations’. The History Teacher. Vol. 26, (3): pp. 351-370. Society for History Education10.2307/494666
  38. Sjö, Sofia & Danielsson, Arni Svanur (2013). ‘Detraditionalization, Diversity, and Mediatization: Explorations of Religion in Nordic Films. In Nordic Journal of Religion and Society. Volume 26, (1): pp 45-62. Akademika Publishing10.18261/ISSN1890-7008-2013-01-04
  39. Suckfüll, Monika (2010). ‘Films That Move Us : Moments of Narrative Impact in an Animated Short Film’. Projections: The Journal for Movies and Mind. Volume 4, (2): pp 41 – 63. Berghahn Journals10.3167/proj.2010.040204
  40. Tan, Ed S. (1996). Emotion and the structure of narrative film: film as an emotion machine. Hillsdale, NJ: L. Erlbaum Associates
  41. Zillman, Dolf (2005). ‘Cinematic Creation of Emotion’, pp 164-179 in Anderson, Joseph D. & Anderson, Barbara Fisher (eds.) Moving Image Theory. Ecological Considerations. Carbondale: Southern Illinois University Press
  42. Amelie de Montmartre (2001) [Film]. Jeunet, Jean-Pierre (Director). France: Claudie Ossard Productions
  43. Avatar (2009) [Film]. Cameron, James (Writer & Director). USA: Twentieth Century Fox Film Crp.
  44. Gladiator (2000) [Film]. Scott, Ridley (Director). USA: Universal Pictures/Dreamworks SKG
  45. Lord of the Rings-trilogy (2001-2002-2003) [Film]. Jackson, Peter (Director). USA: New Line Cinema
  46. Pulp Fiction (1994) [Film]. Tarantino, Quentin (Writer & Director). USA : Miramax Films
  47. Shawshank Redemption (1994). [Film]. Darabont, Frank (Director). USA: Castle Rock Entertainment
DOI: https://doi.org/10.1515/nor-2015-0022 | Journal eISSN: 2001-5119 | Journal ISSN: 1403-1108
Language: English
Page range: 143 - 156
Published on: Oct 29, 2015
Published by: University of Gothenburg Nordicom
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2015 Tomas Axelson, published by University of Gothenburg Nordicom
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.