Thomas Shadwell’s the Virtuoso as an Assemblage Laboratory. A View from Installation Art
References
- Barad, Karen. Meeting the Universe Halfway. Quantum Physics and the Entaglement of Matter and Meaning, Durham and London: Durham University Press, 2007.10.2307/j.ctv12101zq
- Chico, Tita. “Gimcrack’s Legacy: Sex, Wealth, and the Theater of Experimental Philosophy”, Comparative Drama, 42 (2008): 761–768.10.1353/cdr.2008.0018
- Cole, Lucinda. Imperfect Creatures. Vermin, Literature, and the Sciences of Life, 1600–1740, Ann Arbor: University of Michigan Press, 2016.10.2307/j.ctt1gk0873
- Cowan Brian. The Social Life of Coffee: The Emergence of the British Coffeehouse, New York: Yale University Press, 2005.
- Coppola, Al. The Theatre of Experiment. Staging Natural Philosophy in Eighteen-Century Britain, New York and London: Oxford University Press, 2016.10.1093/acprof:oso/9780190269715.001.0001
- Daston, Lorraine., Park, Katherine. Wonders and the Order of Nature, 1150–1750, New York: Zone Book, 1998.
- DeLanda, Manuel, A New Philosophy of Society, London and New York: Continuum, 2006.
- Deleuze, Gilles, Guattari, Felix, What is Philosophy?, translated by Hugh Tomlinson and Graham Burchell, New York: Columbia University, 1994.
- Fried, Michael. Art and Objecthood. Essays and Reviews, Chicago and London: The University of Chicago Press, 1998.
- Glide, Joseph M. “Shadwell and the Royal Society: Satire in The Virtuoso”, Studies in English Literature, 1500–1900, 10 (1970): 469–490.10.2307/449789
- Haraway, Donna. ModestWitness@SecondMillenium. FemaleMan_Meets_OncoMouse. Feminism and Technoscience, New York/London: Routledge, 1997.
- Latour, Bruno. We Have Never Been Modern, Cambridge, Massachusetts: Harvard University Press, 1993.
- Lloyd, Claude. “Shadwell and the Virtuosi”, PMLA, 44 (1929): 472–494.10.2307/457476
- Luhman, Niklas. Art as Social System, Stanford: Stanford University Press, 2000.
- Kohler, Robert, E. “Lab History: Reflections”, Isis, 44 (2008): 761–768.10.1086/595769
- Marsden, Jean I. Tragedy and Varieties of Serious Drama, in Susan J. Owens (ed.) A Companion to Restoration Drama, Malden and Oxford: Blackwell Publishing, 2008:
- Munns, Jessica. Images of Monarchy on the Restoration Stage in Susan J. Owens (ed.) A Companion to Restoration Drama, Malden and Oxford: Blackwell Publishing, 2008: 109–125.10.1002/9781118663400.ch7
- Nicolson, Marjorie, H. Introduction in Thomas Shadwell, The Virtuoso, Marjorie H. Nicolson and David S. Rodes, Lincoln and London: University of Nebraska Press, 1966: 11–26.
- Opitz Donald L. Bergwik Staffan, Van Tiggelen Brigitte, “Introduction: Domesticity and the Historiography of Science” in Donald L. Opitz, Staffan Bergwik, and Brigitte Van Tiggelen, Domesticity in the Making of Modern Science, London and New York: Palgrave, 2016: 1–15.
- Rebentisch, Juliane. Aesthetics of Installation Art, Berlin: Sternberg Press, 2012.
- Shadwell, Thomas. The Virtuoso, Cambridge: Chad-wyck-Healey, 1966.
- Shanahan, John. “Theatrical Space and Scientific Space in Thomas Shadwell’s ‘Virtuoso’”, Studies in English Literature, 1500–1900 49 (2009): 549–571.10.1353/sel.0.0066
- Shapin, Steven, Schaffer, Simon. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life, Princeton: Princeton University Press, 2011.10.1515/9781400838493
Language: English
Page range: 111 - 122
Published on: Jan 24, 2020
Published by: Vytautas Magnus University, Institute of Foreign Language
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year
Keywords:
Related subjects:
© 2020 Mateusz Chaberski, published by Vytautas Magnus University, Institute of Foreign Language
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.