Have a personal or library account? Click to login
Thomas Shadwell’s the Virtuoso as an Assemblage Laboratory. A View from Installation Art Cover

Thomas Shadwell’s the Virtuoso as an Assemblage Laboratory. A View from Installation Art

Art History & Criticism
Volume 13 (2017): Issue 1 (December 2017)
By:
Open Access
|Jan 2020

Authors

Mateusz Chaberski

mateusz.chaberski@uj.edu.pl

Jagiellonian University, Cracow, Poland
DOI: https://doi.org/10.1515/mik-2017-0008 | Journal eISSN: 1822-4547 | Journal ISSN: 1822-4555
Journal RSS Feed
Language: English
Page range: 111 - 122
Published on: Jan 24, 2020
Published by: Vytautas Magnus University, Institute of Foreign Language
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year
Keywords:
installation art,
assemblage,
experience,
laboratory,
Restoration comedy
Related subjects:
Architecture and design,
Architecture,
History,
Arts,
Arts, general,
Museums and collections,
Cultural studies,
Genres and media in cultural studies,
General genre and media studies

© 2020 Mateusz Chaberski, published by Vytautas Magnus University, Institute of Foreign Language
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Previous articleVolume 13 (2017): Issue 1 (December 2017)Next article