References
- Auslander, Philip. 2006. The Performativity of Performance Documentation. Performance Art Journal no. 84: 1–10.10.1162/pajj.2006.28.3.1
- Bazin, André. 1960. The Ontology of the Photographic Image. Film Quarterly vol. 13 no. 4 (Summer): 4–9.10.1525/fq.1960.13.4.04a00030
- Burke, Peter. 1995. The Invention of Leisure in Early Modern Europe. Past & Present no. 146 (February): 136–150.10.1093/past/146.1.136
- Farley, Helen. 2009. A Cultural History of Tarot: From Entertainment to Esotericism. London; New York: I.B. Tauris.10.5040/9780755697700
- Marx, Karl. 1976 [1867]. Capital: A Critique of Political Economy. New York: Penguin Books.
- Mulqueen, John and Jim Smyth. 2010. “The Che Guevara of the IRA:” The Legend of “Big Joe” McCann. History Ireland vol. 18 no. 1 (January/February): 46–47.
- Mulvey, Laura. 2006. Death 24x a Second: Stillness and the Moving Image. London: Reaktion Books.
- Nichols, Bill. 2001. Documentary Film and the Modernist Avant-Garde. Critical Inquiry vol. 27 no. 4 (Summer): 580–610.10.1086/449023