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Remapping the Constellation of Walter Benjamin’s Allegorical Method Cover

Remapping the Constellation of Walter Benjamin’s Allegorical Method

By:   
Open Access
|Feb 2016

References

  1. Adorno, Theodor W., and Walter Benjamin. “Exchange with Theodor W. Adorno on ‘The Paris of the Second Empire in Baudelaire’.” Trans. Edmund Jephcott and Michael Jennings. Walter Benjamin: Selected Writings, Volume 4. Ed. Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press, 2003: 99-115. Print.
  2. Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. 1976. Trans. Harry Zohn. London: Verso, 1983. Print.
  3. ---. “The Destructive Character.” Reflections. Ed. Peter Demetz. Trans. Edmund Jephcott. New York: Schocken Books, 1978: 301-3. Print.
  4. ---. “On Language as Such and on the Language of Man.” Reflections. Ed. Peter Demetz. Trans. Edmund Jephcott. New York: Schocken Books, 1978: 314-32. Print.
  5. ---. “On the Concept of History.” Trans. Harry Zohn. Walter Benjamin: Selected Writings, Volume 4. Ed. Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press, 2003: 389-400. Print.
  6. ---. The Origin of German Tragic Drama. 1963. Trans. John Osborne. London: Verso, 2009. Print.
  7. ---. “The Work of Art in the Age of Its Technological Reproducibility: Second Version.” Trans. Edmund Jephcott and Harry Zohn. Walter Benjamin: Selected Writings, Volume 3. Ed. Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press, 2002: 101-33. Print.
  8. Buchloh, Benjamin H.D. “Allegorical Procedures: Appropriation and Montage in Contemporary Art.” Art After Conceptual Art. Cambridge: MIT Press, 2006. 27-51. Print.
  9. Buck-Morss, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute. New York: The Free Press, 1977. Print.
  10. Caygill, Howard. “Walter Benjamin’s Concept of Allegory.” The Cambridge Companion to Allegory. Ed. Rita Copeland and Peter T. Struck. Cambridge: Cambridge University Press, 2011: 241-53. Print.
  11. Copeland, Rita, and Peter T. Struck. Introduction. The Cambridge Companion to Allegory. Ed. Rita Copeland and Peter T. Struck. Cambridge: Cambridge University Press, 2011: 1-11. Print.
  12. Crimp, Douglas. “On the Museum’s Ruins,” October 13 (Summer 1980): 41-57. JSTOR. Web. 30 Jan. 2014.
  13. ---. “Pictures.” October 8 (Spring 1979): 75-88. JSTOR. Web. 30 Jan. 2014.
  14. Day, Gail. “Allegory: Between Deconstruction and Dialectics.” Oxford Art Journal 22.1 (1999): 105-118. JSTOR. Web. 30 Jan. 2014.
  15. Diggins, John Patrick. Max Weber: Politics and the Spirit of Tragedy. New York: Basic Books, 1996. Print.
  16. Eiland, Howard, and Michael W. Jennings. Walter Benjamin: A Critical Life. Cambridge: Harvard University Press, 2013. Print.
  17. Eiland, Howard, and Kevin McLaughlin. Translators’ Foreword. The Arcades Project. By Walter Benjamin. 1982. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard University Press, 1999: ix-xiv. Print.
  18. Goethe, Johann Wolfgang von. “Maxims and Reflections.” Trans. Nicholas Walker. Art in Theory 1815-1900: An Anthology of Changing Ideas. Ed. Charles Harrison, Paul Wood, and Jason Gaiger. Oxford: Blackwell Publishers, 1998: 74-8. Print.
  19. Melville, Stephen. “Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism.” October 19 (1981): 55-92. JSTOR. Web. 30 Jan. 2014.
  20. Nietzsche, Friedrich. “On Truth and Lies in a Nonmoral Sense.” Trans. Daniel Breazeale. Philosophy and Truth: Selections from Nietzsche’s Notebooks of the Early 1870s. Ed. Daniel Breazeale. New Jersey: Humanities Press International, 1979: 79-97.
  21. Obbink, Dirk. “Early Greek Allegory.” The Cambridge Companion to Allegory. Ed. Rita Copeland and Peter T. Struck. Cambridge: Cambridge University Press, 2011: 15-25. Print.
  22. Owens, Craig. “The Allegorical Impulse: Toward a Theory of Postmodernism.” October 12 (1980): 67-86. JSTOR. Web. 30 Jan. 2014.
  23. ---. “The Allegorical Impulse: Toward a Theory of Postmodernism Part 2.” October 13 (1980): 58-80. JSTOR. Web. 30 Jan. 2014.
  24. Plate, S. Brent. Walter Benjamin, Religion, and Aesthetics: Rethinking Religion Through the Arts. New York: Routledge, 2005. Print.
  25. Rosen, Michael. “Benjamin, Adorno, and the Decline of the Aura.” The Cambridge Companion to Critical Theory. Ed. Fred Rush. Cambridge: Cambridge University Press, 2004: 40-56. Print.
  26. Roy, Marina. “Speaking in Other Terms: Buchloh’s Allegorical Tracings of Post- Conceptual Constellations.” Writing. Marina Roy, 1999. Web. 15 Jan.2015.
  27. Steiner, George. Introduction. The Origin of German Tragic Drama. By Walter Benjamin. 1963. Trans. John Osborne. London: Verso, 2009. 7-24. Print.
  28. Wolin, Richard. Walter Benjamin: An Aesthetic of Redemption. New York: Columbia University Press, 1982. Print.
DOI: https://doi.org/10.1515/abcsj-2015-0007 | Journal eISSN: 1841-964X | Journal ISSN: 1841-1487 (formerly 1841-964X)
Language: English
Page range: 37 - 59
Published on: Feb 12, 2016
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services

© 2016 Jack Wong, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.