References
- Amper, Susan. “Dexter’s Dark World: The Serial Killer as Superhero.” In Serial Killers and Philosophy. Ed. Sara Waller. Malden:Blackwell, 2010. 103-114.
- Bruijn, Peter de. “Beter dan Film.” NRC Handelsblad 5 November 2010.
- Canby, Vincent. “From the Humble Mini-Series Comes the Magnificent Megamovie.” New York Times 31 October 1999.
- Brophy, Matthew. “Sympathy for the Devil: Can a Serial Killer Ever Be Good?” Serial Killers and Philosophy. Ed. by Sara Waller. Malden: Blackwell, 2010. 78-89.
- Freud, Sigmund. Beyond the Pleasure Principle. First published in German in 1920. Trans. John Reddick. London: Penguin Books Ltd, 2003.
- McGrath, Charles. “The Triumph of the Prime-Time Novel.” Television: The Critical View. Ed. by Horace Newcomb. New York: Oxford U.P., 2000. 242-252.
- Mittell, Jason. “Narrative Complexity in Contemporary American Television.” The Velvet Light Trap 58 (2006): 29-40.
- Modleski, Tania. “The Search for Tomorrow in Today’s Soap Operas: Notes on a Feminine Narrative Form.” Film Quarterly 33.1 (1979): 12-21.
- Porter, Michael J., D.L. Larson, A. Harthcock, and K.B. Nellis. “Re(de)fining Narrative Events: Examining Television Narrative Structure.” Journal of Popular Film and Television 30 (2002): 23-30.
- Silverman, Kaja. The Threshold of the Visible World. New York: Routledge, 1996.
- Thompson, Kristin. Storytelling in Film and Television. Cambridge, MA: Harvard U.P., 2003.