References
- Aristotle. 1926. Aristotle in 23 volumes. Vol. 22, translated by J. H. Freese. Harvard University Press.
- Attardo, Salvatore. 1994. Linguistic Theories of Humor. de Gruyter. DOI: 10.1515/9783110219029
- Attardo, Salvatore. 2001. Humorous texts: A semantic and pragmatic analysis. de Gruyter. DOI: 10.1515/9783110887969
- Attardo, Salvatore & Jean-Charles Chabanne. 1992. Jokes as a text type. Humor: International Journal of Humor Research 5(1–2). 165–176. DOI: doi/10.1515/humr.1992.5.1-2.165
- Attardo, Salvatore, Christian F. Hempelmann & Sara Di Maio. 2002. Script oppositions and logical mechanisms: Modeling incongruities and their resolutions. Humor: International Journal of Humor Research 15(1). 3–46. DOI: 10.1515/humr.2002.004
- Attardo, Salvatore & Victor Raskin. 1991. Script theory revis(it)ed: Joke similarity and joke representation model. Humor: International Journal of Humor Research 4(3–4). 293–347. DOI: 10.1515/humr.1991.4.3-4.293
- Bateman, John A. 2014. Methodological and theoretical issues in multimodality. In: Nina-Maria Klug & Hartmut Stöckl (eds.), Handbuch Sprache im multimodalen Kontext, de Gruyter. 36–74. DOI: 10.1515/9783110296099-003
- Benjamin, Walter. 1969. Illuminations: Essays and reflections. Schocken.
- Boukes, Mark. 2019. Infotainment. In: Tim P. Vos, Folker Hanusch, Dimitra Dimitrakopoulou, Margaretha Geertsema-Sligh & Annika Sehl (eds.), International encyclopedia of journalism studies. Wiley-Blackwell. DOI: 10.1002/9781118841570.iejs0132
- Britannica. https://www.britannica.com/ (accessed 1/03/2023).
- Brusenbauch Meislová, Monika, Veronika Koller, Susanne Kopf & Marlene Miglbauer. 2021. Recontextualizing Brexit: Discursive representations from outside the UK. Critical Approaches to Discourse Analysis across Disciplines 13(1). 1–11.
- Buckledee, Steve. 2018. The language of Brexit: How Britain talked its way out of the European Union. Bloomsbury.
- Cambridge Dictionary | English Dictionary, Translations & Thesaurus. https://dictionary.cambridge.org (accessed 23/08/2022).
- Casasanto, Daniel. 2009. Embodiment of abstract concepts: Good and bad in right- and left-handers. Journal of Experimental Psychology: General 138(3). 351–367.
- Charteris-Black, Jonathan. 2019. Metaphors of Brexit: No cherries on the cake? Palgrave Macmillan. DOI: 10.1007/978-3-030-28768-9
- Chiaro, Delia. 1992. The language of jokes: Analysing verbal play. Routledge.
- Chen, Qiaoyun & Guiying Jiang. 2018. Why are you amused: Unveiling multimodal humor from the prototype theoretical perspective. The European Journal of Humour Research 6(1). 62–84. DOI: 10.7592/EJHR2018.6.1.chen
- Collins Online Dictionary | Definitions, Thesaurus and Translations. http://www.collinsdictionary.com (accessed 23/08/2022).
- Devitt, Amy J. 1991. Intertextuality in tax accounting: Generic, referential, and functional. In: Charles Bazerman & James Paradis (eds.), Textual dynamics of the professions: Historical and contemporary studies of writing in professional communities, University of Wisconsin Press. 336–357.
- Đurović, Tatjana & Nadežda Silaški. 2018. The end of a long and fraught marriage: Metaphorical images structuring the Brexit discourse. Metaphor and the Social World 8(1). 25–39. DOI: 10.1075/msw.17010.dur
- Dynel, Marta. 2008. Introduction to special issue on humour: A modest attempt at presenting contemporary linguistic approaches to humour studies. Lodz Papers in Pragmatics 4(1). 1–12. DOI: 10.2478/v10016-008-0007-1
- Dynel, Marta. 2016. “I has seen image macros!” Advice animal memes as visual-verbal jokes. International Journal of Communication 10. 660–688.
- Dynel, Marta. 2021. COVID-19 memes going viral: On the multiple multimodal voices behind face masks. Discourse & Society 32(2). 175–195. DOI: 10.1177/0957926520970385
- El Refaie, Elisabeth. 2009. What makes us laugh? Verbo-visual humour in newspaper cartoons. In: Eija Ventola & Arsenio Jesús Moya Guijarro (eds.), The world told and the world shown: Multisemiotic issues, Palgrave. 75–89. DOI: 10.1057/9780230245341_5
- El Refaie, Elisabeth. 2011. The pragmatics of humour reception: Young people’s responses to a newspaper cartoon. Humor: International Journal of Humor Research 24(1). 87–108. DOI: 10.1515/humr.2011.005
- Forabosco, Giovannantonio. 1992. Cognitive aspects of the humor process: The concept of incongruity. Humor: International Journal of Humor Research 5(1–2). 45–68. DOI: 10.1515/humr.1992.5.1-2.45
- Forabosco, Giovannantonio. 2008. Is the concept of incongruity still a useful construct for the advancement of humor research? Lodz Papers in Pragmatics 4(1). 45–62. DOI: 10.2478/v10016-008-0003-5
- Francesconi, Sabrina. 2011. Multimodally expressed humour shaping Scottishness in tourist postcards. Journal of Tourism and Cultural Change 9(1). 1–17. DOI: 10.1080/14766825.2010.521561
- Gaede, Werner. 1992. Vom Wort zum Bild: Kreativ-Methoden der Visualisierung. Wirtschaftsverlag Langen Müller/Herbig.
- Godioli, Alberto & Ana Pedrazzini. 2019. Falling stars and sinking ships: Framing and metaphor in cartoons about Brexit. Journal of European Studies 49(3–4). 302–323. DOI: 10.1177/0047244119859167
- Held, Gudrun. 2005a. Covers – ein multimodaler Kontakttext im aktuellen Info-Marketing. In: Harmut Lenk & Andrew Chesterman (eds.), Pressetextsorten im Vergleich – Contrasting text types in the press, Verlag Georg Olms AG. 323–350.
- Held, Gudrun. 2005b. Magazine covers – A multimodal pretext-genre. Folia Linguistica 39(1–2). 173–196. DOI: https://doi.org/10.1515/flin.2005.39.1-2.173
- Geiger, Susi & Beate Henn-Memmesheimer. 1998. Visuell-verbale Textgestaltung von Werbeanzeigen. Zur textlinguistischen Untersuchung multikodaler Kommunikationsformen. Kodikas, Code – Ars Semeiotica 21(1–2). 55–74.
- Holmes, Janet. 2000. Politeness, power and provocation: How humour functions in the workplace. Discourse Studies 2(2). 159–185. DOI: 10.1177/1461445600002002002
- Hoven, Paul, van den & Joost Schilperoord. 2017. Perspective by incongruity: Visual argumentative meaning in editorial cartoons. In: Assimakis Tseronis & Charles Forceville (eds.), Multimodal argumentation and rhetoric in media genres, John Benjamins Publishing Company. 138–164. DOI: 10.1075/aic.14.06van
- Hutcheon, Linda. 2006. A theory of adaptation. Routledge.
- Katz, Elihu & David Foulkes. 1962. On the use of the mass media as “escape”: Clarification of a concept. Public Opinion Quarterly 26(3). 377–388. DOI: 10.1086/267111
- Klug, Nina-Maria & Harmut Stöckl (eds.). 2014. Handbuch Sprache im multimodalen Kontext. de Gruyter. DOI: 10.1515/9783110296099
- Knobel, Michele & Colin Lankshear. 2007. Online memes, affinities, and cultural production. In: Michele Knobel & Colin Lankshear (eds.), A new literacies sampler, Peter Lang. 199–229.
- Koestler, Arthur. 1964. The act of creation. Hutchinson.
- Koller, Veronika, Susanne Kopf & Marlene Miglbauer (eds.). 2019. Discourses of Brexit. Routledge.
- Kövecses, Zoltán. 2020. Extended conceptual metaphor theory. Cambridge University Press. DOI: 10.1017/9781108859127
- Kress, Gunther. 2011. Multimodal discourse analysis. In: Michael Handford & James Paul Gee (eds.), The Routledge handbook of discourse analysis, Routledge. 35–50.
- Kress, Gunther & Jon Ogborn. 1998. Modes of representation and local epistemologies: The presentation of science in education, subjectivity in school curriculum. University of London Press.
- Kress, Gunther & Theo van Leeuwen. 1998. Front pages: (The critical) Analysis of newspaper layout. In: Allan Bell & Peter Garrett (eds.), Approaches to media discourse, Blackwell. 186–219.
- Kress, Gunther & Theo van Leeuwen. 2001. Multimodal discourse: The modes and media of contemporary communication. Arnold.
- Kress, Gunther & Theo van Leeuwen. 2006. Reading images: The grammar of visual design. Routledge.
- Krikmann, Arvo. 2009. On the similarity and distinguishability of humour and figurative speech. Trames 13. 14–40.
- Lakoff, George & Mark Johnson. 1980. Metaphors we live by. University of Chicago Press.
- Lalić-Krstin, Gordana & Nadežda Silaški. 2019. ‘Don’t go brexin’ my heart’: The ludic aspects of Brexit-induced neologisms. In: Veronika Koller, Susanne Kopf & Marlene Miglbauer (eds.), Discourses of Brexit, Routledge. 222–236.
- Leeuwen, Theo, van. 2005. Introducing social semiotics. Routledge.
- Leeuwen, Theo, van & Gunther Kress. 1995. Critical layout analysis. Internationale Schulbuchforschung 17(1). 25–43.
- Machin, David & Andrea Mayr. 2012. How to do Critical Discourse Analysis. A multimodal introduction. Sage.
- Macmillan Dictionary | Free English Dictionary and Thesaurus. https://www.macmillandictionary.com (accessed 23/08/2022).
- Martin, Rod A. 2007. The psychology of humor: An integrative approach. Elsevier Academic Press. DOI: 10.1016/C2016-0-03294-1
- McGraw, Peter A., Caleb Warren, Lawrence E. Williams & Bridget Leonard. 2012. Too close for comfort, or too far to care? Finding humor in distant tragedies and close mishaps. Psychological Science 23(10). 1215–1223. DOI: 10.1177/0956797612443831
- Miglbauer, Marlene & Veronika Koller. 2021. Anger, laughter and frustration: Reactions to House of Commons Brexit debates on an Austrian news forum. Critical Approaches to Discourse Analysis across Disciplines 13(1). 55–84.
- Miller, Dorota. 2019. Brex and the city. Cultural references in British, German and Polish newspaper articles on the British EU referendum. Tematy i konteksty 9(14). 472–489. DOI: 10.15584/tik.2019.30
- Miller, Dorota. 2020. „Jeder für sich” vs. „Divided we fall”. Deutsche und britische Titelseiten zum Brexit. In: Zofia Berdychowska & Frank Liedtke (eds.), Aspekte multimodaler Kurzformen. Kurztexte und multimodale Kurzformen im öffentlichen Raum, Peter Lang. 29–41.
- Miller, Dorota. 2021. Make leave, not war. Intertextual references in the British press coverage of Brexit. Topics in Linguistics 22(2). 1–14. DOI: 10.2478/topling-2021-0007
- Mitchell, W. J. Thomas. 1994. Picture theory: Essays on verbal and visual representation. University of Chicago Press.
- Morozova, Olena. 2017. Monomodal and multimodal instantiations of conceptual metaphors of Brexit. Lege artis. Language yesterday, today, tomorrow 2(2). 250–283.
- Musolff, Andreas. 2000. Maritime journey metaphors in British and German public discourse: Transport vessels of international communication? German as a foreign language 3. 66–80.
- Musolff, Andreas. 2006. Metaphor scenarios in public discourse. Metaphor and Symbol 21(1). 23–38. 10.1207/s15327868ms2101_2
- Musolff, Andreas. 2016. Political metaphor analysis. Discourse and scenarios. Bloomsbury.
- Nöth, Winfried. 2000. Der Zusammenhang von Text und Bild. In: Klaus Brinker, Gerd Antos, Wolfgang Heinemann & Sven Sager (eds.), Text- und Gesprächslinguistik. Ein Handbuch zeitgenössischer Forschung. 1. Halbband, de Gruyter. 489–496. DOI: 10.1515/9783110194067-048
- Ott, Brian & Cameron Walter. 2000. Intertextuality: Interpretive practice and textual strategy. Critical Studies in Media Communication 17(4). 429–446. DOI: 10.1080/15295030009388412
- Oxford Dictionary of National Biography. https://www.oxforddnb.com (accessed 11/03/2023).
- Page, Janis Teruggi. 2020. Trump as global spectacle. In: Sheree Josephson, James Kelly & Ken Smith (eds.), Handbook of visual communication: Theory, methods, and media, Routledge. 139–151.
- Peters, Jeremy W. 2010. The Economist tends its sophisticate garden. New York Times Aug. 8, 2010, https://www.nytimes.com/2010/08/09/business/media/09economist.html (accessed 1/03/2023).
- Ritchie, Graeme. 2000. Describing verbally expressed humour. In: Time for AI and society. Proceedings of AISB’00 Symposium on Creative and Cultural Aspects and Applications of AI and Cognitive Science, University of Birmingham. 71–78.
- Ritchie, Graeme. 2004. The linguistic analysis of jokes. Routledge.
- Ritchie, Graeme. 2014. Logic and reasoning in jokes. European Journal of Humour Research 2(1). 50–60. DOI: 10.7592/EJHR2014.2.1.ritchie
- Rodet, Pauline. 2020. Metaphor as the distorting mirror of Brexit: A corpus-based analysis of metaphors and manipulation in the Brexit debate. Studies in Linguistics and Discourse Analysis 5. DOI: 10.35562/elad-silda.865
- Rocci, Andrea & Chiara Pollaroli. 2018. Introduction: Multimodality in argumentation. Semiotica 2018(220). 1–17. DOI: 10.1515/sem-2017-0150
- Samson, Andrea C. & Oswald Huber. 2007. The interaction of cartoonist’s gender and formal features of cartoons. Humor: International Journal of Humor Research 20(1). 1–25. DOI: 10.1515/HUMOR.2007.001
- Schmitz, Ulrich. 2005. Sehflächen lesen. Der Deutschunterricht 57(4). 2–5.
- Shifman, Limor. 2014. Memes in digital culture. MIT Press.
- Silaški, Nadežda & Tatjana Đurović. 2019. The JOURNEY metaphor in Brexit-related political cartoons. Discourse, Context & Media 31. 1–10. DOI: 10.1016/j.dcm.2019.100318
- Spillner, Bernd. 1982. Stilanalyse semiotisch komplexer Texte. Zum Verhältnis von sprachlicher und bildlicher Information in Werbeanzeigen. Kodikas/Code 4–5(1). 91–106.
- Stöckl, Hartmut. 2004. In between modes: Language and image in printed media. In: Eija Ventola, Cassily Charles & Martin Kaltenbacher (eds.), Perspectives on multi-modality, John Benjamins Publishing Company. 9–30. DOI: 10.1075/ddcs.6.03sto
- Stöckl, Hartmut. 2009a. Beyond depicting. Language-image-links in the service of advertising. Arbeiten aus Anglistik und Amerikanistik 34(1). 3–28.
- Stöckl, Hartmut. 2009b. The language-image-text – Theoretical and analytical inroads into semiotic complexity. Arbeiten aus Anglistik und Amerikanistik 34(2). 203–226.
- Stöckl, Hartmut. 2014. Multimodalität – Semiotische und textlinguistische Grundlagen. In Nina-Maria Klug & Harmut Stöckl (eds.), Handbuch Sprache im multimodalen Kontext, de Gruyter. 3–35. DOI: 10.1515/9783110296099-002
- Stwora, Anna. 2020. Funny or distasteful? A cross-cultural perspective on surprise and humour in multimodal advertising. The European Journal of Humour Research 8(2) 113–128. DOI: 10.7592/EJHR2020.8.2.Stwora
- The Economist. https://www.economist.com/weeklyedition/archive (accessed 1/03/2023).
- The Economist. https://www.economist.com/frequently-asked-questions (accessed 1/03/2023).
- The Economist. https://www.economist.com/sites/default/files/EconomistBrexitBriefs16.pdf (accessed 1/03/3023).
- The Audit Bureau of Circulations. https://www.abc.org.uk/ (accessed 1/03/2023).
- Tsakona, Villy. 2009. Language and image interaction in cartoons: Towards a multimodal theory of humor. Journal of Pragmatics 41(6). 1171–1188. 10.1016/j.pragma.2008.12.003
- Tsakona, Villy. 2020. Recontextualizing humor. Rethinking the analysis and teaching of humor. de Gruyter. DOI: 10.1515/9781501511929
- Tsakona, Villy & Jan Chovanec. 2020. Revisiting intertextuality and humour: Fresh perspectives on a classic topic. European Journal of Humour Research 8(3). 1–15. DOI: 10.7592/EJHR2020.8.3.Tsakona
- Tseronis, Assimakis. 2015. Multimodal argumentation in news magazine covers: A case study of front covers putting Greece on the spot of the European economic crisis. Discourse, Context & Media 7. 18–27. DOI: 10.1016/j.dcm.2014.12.003
- Tseronis, Assimakis. 2018. Determining the commitments of image-makers in arguments with multimodal allusions in the front covers of The Economist: Insights from Relevance Theory. International Review of Pragmatics 10(2). 243–269. DOI: 10.1163/18773109-01002006
- Tseronis, Assimakis. 2021. From visual rhetoric to multimodal argumentation: Exploring the rhetorical and argumentative relevance of multimodal figures on the covers of The Economist. Visual Communication 20(3). 374–396. DOI: 10.1177/14703572211005498
- Tseronis, Assimakis & Charles Forceville. 2017a. Argumentation and rhetoric in visual and multimodal communication. In: Assimakis Tseronis & Charles Forceville (eds.), Multimodal argumentation and rhetoric in media genres, John Benjamins Publishing Company. 1–24. DOI: 10.1075/aic.14.01tse
- Tseronis, Assimakis & Charles Forceville. 2017b. The argumentative relevance of visual and multimodal antithesis in Frederick Wiseman’s documentaries. In: Assimakis Tseronis & Charles Forceville (eds.), Multimodal argumentation and rhetoric in media genres, John Benjamins Publishing Company. 165–188. DOI: 10.1075/aic.14.07tse
- Weaver, Simon. 2022. The rhetoric of Brexit humour. Comedy, populism and the EU referendum. Routledge.
- Wiggins, Bradley E. 2019. The discursive power of memes in digital culture: Ideology, semiotics, and intertextuality. Routledge.
- Wikipedia. The Free Encyclopedia. https://en.wikipedia.org (accessed 1/03/2023).
- Young, James O. 2008. Cultural appropriation and the arts. Blackwell.
- Zuschlag, Christoph. 2012. “Die Kopie ist das Originalˮ: Über Appropriation Art. In: Ariane Mensger (ed.), Déjà-vu? Die Kunst der Wiederholung von Dürer bis YouTube, Kerber. 126–135. DOI: 10.11588/artdok.00005954