
Fig. 1.
Historical graffiti carved in the rocks of the Jański Wierch range.
Source: photo by Chylińska (2021).

Fig. 2.
The 16th-century Chapel of the Holy sepulchre in Żagań, covered with historical inscriptions (Poland). The oldest inscription on the chapel dates back to 1607: Hic fuit Daniel Rudolfo(s) Griphishagensis Pomeranus Ao. MDCVII (‘Here repented Daniel Rudolph from Gryfino in Pomerania in 1607’).
Source: photo by Chylińska (2014).

Fig. 3.
Not only monuments – traces of tourists’ presence on a tree in the forests of the owl mountains (Poland).
Source: photo by Chylińska (2021).
Table 1.
Tourist behaviour described as ‘marking’ tourist attractions (tentative list).
| Activities | |
|---|---|
| Direct, material, permanently disturbing structure or appearance of attraction | Indirect, non-material, symbolic, including virtual space, not disturbing structure or appearance of attraction |
|
|
Table 2.
The occurrence of selected types of ‘marking’ tourist attractions according to the categories of institutions.
| Types of ‘marking’ tourist attractions* | Occurrence (by number of indications) | ||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Commonly | Often ≥10 | Rare 2–9 | Once | Never | |||||||||||||||||
| NP | WH | OM | Σ | NP | WH | OM | Σ | NP | WH | OM | Σ | NP | WH | OM | Σ | NP | WH | OM | Σ | ||
| Material | 1. | 3 | 0 | 0 | 3 | 3 | 1 | 0 | 4 | 10 | 4 | 3 | 17 | 0 | 1 | 1 | 2 | 0 | 1 | 7 | 8 |
| 2. | 3 | 0 | 0 | 3 | 4 | 1 | 0 | 5 | 8 | 4 | 1 | 13 | 0 | 1 | 0 | 1 | 1 | 1 | 10 | 12 | |
| 3. | 3 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 5 | 0 | 0 | 0 | 0 | 9 | 5 | 11 | 25 | |
| 4. | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 4 | 8 | 3 | 0 | 11 | 0 | 3 | 1 | 4 | 3 | 0 | 10 | 13 | |
| 5. | 3 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 7 | 3 | 0 | 10 | 2 | 2 | 0 | 4 | 1 | 2 | 11 | 14 | |
| 6. | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 4 | 1 | 2 | 1 | 4 | 8 | 5 | 10 | 23 | |
| 7. | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 5 | 10 | 5 | 6 | 21 | 0 | 1 | 3 | 4 | 0 | 0 | 2 | 2 | |
| 8. | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 8 | 4 | 2 | 14 | 2 | 0 | 1 | 3 | 4 | 3 | 8 | 13 | |
| 9. | 2 | 1 | 1 | 4 | 3 | 1 | 2 | 6 | 5 | 1 | 3 | 9 | 2 | 0 | 2 | 4 | 4 | 4 | 3 | 11 | |
| 10. | 11 | 2 | 0 | 13 | 5 | 4 | 3 | 12 | 0 | 1 | 7 | 8 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | |
| 11. | 3 | 0 | 0 | 3 | 5 | 1 | 0 | 6 | 5 | 3 | 2 | 10 | 1 | 2 | 0 | 3 | 2 | 1 | 9 | 12 | |
| 12. | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 6 | 1 | 3 | 4 | 8 | 3 | 0 | 0 | 3 | 9 | 2 | 4 | 15 | |
| 13. | 2 | 1 | 1 | 4 | 5 | 1 | 3 | 9 | 6 | 2 | 3 | 11 | 1 | 1 | 0 | 2 | 2 | 2 | 4 | 8 | |
| 14. | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 5 | 2 | 2 | 1 | 5 | 9 | 2 | 10 | 21 | |
| 15. | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 11 | 4 | 9 | 24 | |
| Non-material | 16. | 16 | 7 | 10 | 33 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 17. | 16 | 5 | 8 | 29 | 0 | 2 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | |
| 18. | 5 | 1 | 1 | 7 | 1 | 1 | 1 | 3 | 7 | 3 | 3 | 13 | 0 | 0 | 0 | 0 | 3 | 2 | 6 | 11 | |
| 19. | 3 | 1 | 0 | 4 | 5 | 0 | 1 | 6 | 6 | 1 | 2 | 9 | 0 | 1 | 1 | 2 | 2 | 4 | 7 | 13 | |
| 20. | 3 | 0 | 1 | 4 | 7 | 1 | 0 | 8 | 6 | 5 | 7 | 18 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 3 | |
| 21. | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 6 | 2 | 0 | 8 | 0 | 1 | 0 | 1 | 9 | 4 | 11 | 24 | |
| 22. | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 4 | 1 | 0 | 0 | 1 | 11 | 5 | 11 | 27 | |
| Σ | 86 | 20 | 22 | 128 | 55 | 16 | 17 | 88 | 106 | 52 | 45 | 203 | 15 | 19 | 12 | 46 | 88 | 47 | 146 | 281 | |
1 Answers were received from 16 out of 23 national parks, 7 out of 16 World Heritage Sites in Poland and 11 out of 62 open-air museums.
1* The types of ‘marking’, including other forms of mutilation that are carried out in places of tourist attractions, typically include the following:
Placing the date of visit on the attraction
Placing the date of visit/stay with initials of names and surnames of tourists on the attraction
Placing the date of visit/stay with full names and surnames of visitors on the attraction
Placing marks/symbols/drawings showing sympathy for or belonging to specific subcultures on the attraction
Placing declarations regarding interpersonal relationships, liking or antipathy, intentions, etc.
Throwing paint; dousing
Damaging the attraction
Destroying the attraction
Leaving traces of being there (open windows, moving objects, etc.)
Littering
Placing impersonalised, random drawings on the attraction
Leaving behind (personal) items (photos, personal belongings, ‘lucky money’)
Taking ‘souvenir’ artefacts from the visited place (plants, rocks, etc.)
Placing commemorative elements on the attractions
Other physical ones
Photographing tourist attractions
Taking a selfie with tourist attractions
Taking a selfie with tourist attractions, accompanied by risky behaviour, going against the rules
Photographing/filming despite a ban or unwillingness towards it
Behaviour violating ethical, cultural norms
Organising spontaneous actions
Other nonphysical ones
Table 3.
Perception of the specific types of ‘marking’ tourist attractions according to the categories of institutions.
| Types of ‘marking’ tourist attractions* | Perception of specific types of ‘marking’ tourist attractions (by number of indications) | ||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Behaviour tolerated, approved, positively perceived | Behaviour tolerated, ‘does not bother us’, indifferent | Behaviour tolerated as it is impossible to fight against it | Behaviour seen as vandalism that we try to limit through education | Behaviour seen as vandalism, acting against law | Behaviour does not occur | ||||||||||||||||||||
| NP | WH | OM | Σ | NP | WH | OM | Σ | NP | WH | OM | Σ | NP | WH | OM | Σ | NP | WH | OM | Σ | NP | WH | OM | Σ | ||
| Material | 1. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 5 | 7 | 3 | 3 | 13 | 6 | 1 | 0 | 7 | 0 | 1 | 8 | 9 |
| 2. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 5 | 7 | 2 | 2 | 11 | 5 | 2 | 0 | 7 | 1 | 1 | 9 | 11 | |
| 3. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 7 | 1 | 1 | 9 | 3 | 2 | 0 | 5 | 3 | 4 | 10 | 17 | |
| 4. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 4 | 8 | 1 | 0 | 9 | 3 | 4 | 0 | 7 | 3 | 0 | 11 | 14 | |
| 5. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 5 | 7 | 1 | 0 | 8 | 6 | 3 | 0 | 9 | 0 | 1 | 11 | 12 | |
| 6. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 7 | 3 | 1 | 11 | 6 | 4 | 10 | 20 | |
| 7. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 2 | 4 | 11 | 11 | 5 | 4 | 20 | 0 | 0 | 3 | 3 | |
| 8. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 5 | 10 | 4 | 1 | 15 | 4 | 2 | 8 | 14 | |
| 9. | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 5 | 2 | 4 | 11 | 3 | 1 | 2 | 6 | 4 | 0 | 0 | 4 | 4 | 4 | 3 | 11 | |
| 10. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 7 | 9 | 5 | 5 | 19 | 6 | 0 | 0 | 6 | 1 | 0 | 1 | 2 | |
| 11. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 4 | 6 | 2 | 3 | 11 | 6 | 3 | 0 | 9 | 0 | 1 | 8 | 9 | |
| 12. | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 3 | 3 | 2 | 8 | 4 | 0 | 1 | 5 | 1 | 0 | 0 | 1 | 8 | 2 | 5 | 15 | |
| 13. | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 3 | 1 | 4 | 6 | 1 | 3 | 10 | 9 | 1 | 0 | 10 | 1 | 2 | 4 | 7 | |
| 14. | 0 | 2 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 4 | 1 | 1 | 0 | 2 | 9 | 3 | 10 | 22 | |
| 15. | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 5 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 10 | 5 | 10 | 25 | |
| Non-material | 16. | 8 | 7 | 10 | 25 | 6 | 0 | 0 | 6 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| 17. | 6 | 5 | 9 | 20 | 9 | 2 | 1 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | |
| 18. | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 7 | 8 | 2 | 2 | 12 | 3 | 0 | 0 | 3 | 2 | 1 | 6 | 9 | |
| 19. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 7 | 3 | 3 | 13 | 6 | 0 | 0 | 6 | 1 | 4 | 7 | 12 | |
| 20. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 5 | 2 | 6 | 13 | 9 | 4 | 0 | 13 | 1 | 1 | 4 | 6 | |
| 21. | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 2 | 0 | 6 | 1 | 1 | 0 | 2 | 9 | 3 | 11 | 23 | |
| 22. | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 11 | 5 | 10 | 26 | |
| Σ | 15 | 17 | 22 | 54 | 20 | 3 | 8 | 31 | 35 | 26 | 17 | 78 | 104 | 30 | 38 | 172 | 100 | 34 | 6 | 140 | 76 | 44 | 151 | 271 | |
1 Answers were received from 16 out of 23 national parks, 7 out of 16 World Heritage Sites in Poland and 11 out of 62 open-air museums.
1* The types of ‘marking’, including other forms of mutilation, that are carried out in places of tourist attraction typically include the following:
Placing the date of visit on the attraction
Placing the date of visit/stay with initials of names and surnames of tourists on the attraction
Placing the date of visit/stay with full names and surnames of visitors on the attraction
Placing marks/symbols/drawings showing sympathy for or belonging to specific subcultures on the attraction
Placing declarations regarding interpersonal relationships, liking or antipathy, intentions, etc.
Throwing paint; dousing
Damaging the attraction
Destroying the attraction
Leaving traces of being there (open windows, moving objects, etc.)
Littering
Placing impersonalised, random drawings on the attraction
Leaving behind (personal) items (photos, personal belongings, ‘lucky money’)
Taking ‘souvenir’ artefacts from the visited place (plants, rocks, etc.)
Placing commemorative elements on the attractions
Other physical ones
Photographing tourist attractions
Taking a selfie with tourist attractions
Taking a selfie with tourist attractions, accompanied by risky behaviour, going against the rules
Photographing/filming despite a ban or unwillingness towards it
Behaviour violating ethical, cultural norms
Organising spontaneous actions
Other nonphysical ones

Fig. 4.
Characteristic of places with tourists’ marks according to the types of institutions.
Source: own elaboration.

Fig. 5.
Stickers entirely covering the entrance area (A) of the Śnieżka mountain meteorological observatory (B) in Karkonosze National Park.
Source: photo by Chylińska (2022).