In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Volume 62 (2025): Issue 2 (December 2025)
Artificial Intelligence and Consciousness: Limits and Modern Perspectives
Slebioda, Laura
Volume 33 (2025): Issue 2 (December 2025)
Volume 21 (2025): Issue 1 (December 2025)
Small by Design? Acting, Being, and Feeling Small in the History of Quantum and Mechanical Computation
Phillips, Eóin
Volume 33 (2025): Issue 4 (December 2025)
Video Games as Literature? Realist Discourse in Red Dead Redemption 2
Razzi, Francesca