Play Me for a Fool: Horror-Inducing Madness from Edgar Allan Poe to The Dark Eye (1995)
Romanzi, Valentina
“It’s Like It’s from a Movie or Something”: Narrative Instability, Remediation, and Cultural Prestige in the Indie Video Games Hotline Miami and Katana Zero
Schubert, Stefan
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Volume 17 (2025): Issue 1 (December 2025)
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Artificial Intelligence and Consciousness: Limits and Modern Perspectives
Slebioda, Laura
Molecular Perspective on the Mechanisms Regulating Leaf Senescence in Plants Under Water Stress
Shoaib, Khandakar, Ali, Nitul, Mishra, Piyush Kumar, Jyoti, Sabnoor Yeasrin
The Partnership between the EU and Russia after the Implementation of the Lisbon Treaty – Reality or Fiction
Bochvarska, Daniela
Stochastic Feature Selection and Machine Learning for Optimized Cervical Cancer Classification
Jeleń, Łukasz, Stankiewicz-Antosz, Izabela, Chosia, Maria, Jeleń, Michał