„Was denkst du, gibt es Orte, die uns in die Vergangenheit blicken lassen und uns gleichzeitig die Zukunft zeigen?“ Zur inneren Auseinandersetzung mit der Vergangenheit in Iris Wolffs Roman „Halber Stein“ (2012)
Predoiu, Grazziella
Assessing creaky voice quality for forensic purposes
Klug, Katharina, Kirchhübel, Christin, Foulkes, Paul, Braun, Almut, French, Peter
“Vocal interactions”: the use of voice in spoken word duos
Dürr, Rebecka
The ‘Rebellious Girl Who Doesn’t Try Too Hard’: indexicality and independence in the music of Lily Allen
Kjeldbjerg, Josephine Iben
The good, the bad, and the funny Russian: linguistic variation in telecinema
Knudsen, Freja Hovgaard
The conversational (human?) voice of artificial intelligence
Landgrebe, Jeanette
Frontmatter
Hejná, Míša, Kjeldgaard-Christiansen, Jens, Eaton, Mark, Clasen, Mathias, Boyd, Zac, Niebuhr, Oliver
Why interdisciplinary approaches to voice studies?
Hejná, Míša, Kjeldgaard-Christiansen, Jens, Eaton, Mark
Table of Contents
Hejná, Míša, Kjeldgaard-Christiansen, Jens, Eaton, Mark, Clasen, Mathias, Boyd, Zac, Niebuhr, Oliver
Intersections of sexual orientation, bilingualism, and /s/ variation in French and German men’s speech
Boyd, Zac
Crying is the name of the game: crying as a resource in video-mediated social-psychiatric recovery meetings
Landgrebe, Jeanette
Age and gender variation in Scottish voice quality beyond creak: a multi-measure approach
Pearce, Joe