Generating Music, AI and Energy
Strzelecki, Marcin
Hildegard Westerkamp’s Beneath the Forest Floor
Heinrich, Małgorzata
Sustaining Creative Work:
Smetanová, Oľga, Džambazovič, Roman
Reviews
Guthrie, Jason Lee, Armstrong, Cutler
Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Did You Catch The Opener?…Exploring the Transformative Dynamics of Opening Performances: A Quantitative Analysis on Streaming for Emerging Artists
Apruzzese, Jeff
There Aren’t Any Rules in Paisley Park: Applying Mark J. P. Wolf’s Theory of World-Building, Sub-Creation, and Secondary Belief to the Music and Career of Prince
Thomas, Marcus
Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Herd Behavior and Harm: How Negative Online Reviews Affect Independent Music Venues
Renard, Stan
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa