Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Herd Behavior and Harm: How Negative Online Reviews Affect Independent Music Venues
Renard, Stan
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
Editorial; Contents
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Piekarski, Michał
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
Surma, Joanna