Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Did You Catch The Opener?…Exploring the Transformative Dynamics of Opening Performances: A Quantitative Analysis on Streaming for Emerging Artists
Apruzzese, Jeff
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
The compositional output of Paweł Klecki, Jan Krenz and Stanisław Skrowaczewski in a historical perspective
Szoka, Marta
Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
Makomaska, Sylwia
March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
Jaunslaviete, Baiba
Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
Aluede, Charles Onomudo, Abdullahi, Agatha Ngozi
The wartime experiences of Zygmunt Mycielski and the Polish post-war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes
Suchowiejko, Renata
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
Surma, Joanna