Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
Jaunslaviete, Baiba
Editorial; Contents
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
Ščepán, Michal
Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
Tukova, Iryna
The compositional output of Paweł Klecki, Jan Krenz and Stanisław Skrowaczewski in a historical perspective
Szoka, Marta
The wartime experiences of Zygmunt Mycielski and the Polish post-war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes
Suchowiejko, Renata
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
Naliwajek, Katarzyna
How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
Chabashvili, Eka, Virsaladze, Maya Maka, Chokhonelidze, Alexander, Asitashvili, Joni
Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
Makomaska, Sylwia