Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Volume 24 (2024): Issue 1 (December 2024)
How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
Chabashvili, Eka, Virsaladze, Maya Maka, Chokhonelidze, Alexander, Asitashvili, Joni
The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa
Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
Tukova, Iryna
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
Ščepán, Michal
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
The wartime experiences of Zygmunt Mycielski and the Polish post-war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes
Suchowiejko, Renata
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra