Herd Behavior and Harm: How Negative Online Reviews Affect Independent Music Venues
Renard, Stan
Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
Editorial; Contents
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
Ščepán, Michal