Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Herd Behavior and Harm: How Negative Online Reviews Affect Independent Music Venues
Renard, Stan
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
The wartime experiences of Zygmunt Mycielski and the Polish post-war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes
Suchowiejko, Renata
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
The compositional output of Paweł Klecki, Jan Krenz and Stanisław Skrowaczewski in a historical perspective
Szoka, Marta
Editorial; Contents
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Music on the Periphery of Aesthetics
Makomaska, Sylwia
Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
Naliwajek, Katarzyna