Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
Volume 31 (2025): Issue 2 (December 2025)
Wartime Knitting in Agatha Christie’s N or M?
Zsámba, Renáta
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Kovács, Ágnes Zsófia
Circulations transnationales du théâtre pour l’enfance et la jeunesse durant la guerre froide : genèse et contexte de l’ouvrage Kinder- und Jugendtheater der Welt du Centre national RDA de l’ASSITEJ
Baillet, Florence
Zur Neubewertung des literarischen Kanons der DDR am Beispiel des Werks von Hedda Zinner
Hähnel-Mesnard, Carola