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Showing 1-10 of 10 for the term ""Catană, Elisabeta Simona""

The Symbolic Past in Graham Swift’S Last Orders
Article

The Symbolic Past in Graham Swift’S Last Orders

Catană, Elisabeta Simona
Recreating the Past and Identity as Stories in Kazuo Ishiguro’s Never Let Me Go
Article

Recreating the Past and Identity as Stories in Kazuo Ishiguro’s Never Let Me Go

Catană, Elisabeta Simona
Rewriting the Past as a Snapshot and Story. A Postmodernist Vision on the Concept of Truth and the Present in Julian Barnes’s Staring at the Sun
Article

Rewriting the Past as a Snapshot and Story. A Postmodernist Vision on the Concept of Truth and the Present in Julian Barnes’s Staring at the Sun

Catană, Elisabeta Simona
Revisited Mental Photographs And The Past In Graham Swift’s Out Of This World. Reshaped Stories, Reshaped Memories
Article

Revisited Mental Photographs And The Past In Graham Swift’s Out Of This World. Reshaped Stories, Reshaped Memories

Catană, Elisabeta Simona
The Palimpsestic Time and Identity in Graham Swift’s Ever After
Article

The Palimpsestic Time and Identity in Graham Swift’s Ever After

Catană, Elisabeta Simona
History as Story and Parody in Julian Barnes’s the Noise of Time
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History as Story and Parody in Julian Barnes’s the Noise of Time

Catană, Elisabeta Simona
Stories as Silt in Graham Swift’s Waterland
Article

Stories as Silt in Graham Swift’s Waterland

Catană, Elisabeta Simona
England as a Palimpsest in Julian Barnes’s England, England. Turning History Into a Story
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England as a Palimpsest in Julian Barnes’s England, England. Turning History Into a Story

Catană, Elisabeta Simona
The Past as Story and Palimpsest in Julian Barnes’s Flaubert’s Parrot. Rewriting the Past as Fiction and Biography
Article

The Past as Story and Palimpsest in Julian Barnes’s Flaubert’s Parrot. Rewriting the Past as Fiction and Biography

Catană, Elisabeta Simona
Memories and Stories Redefining the Past and History in Julian Barnes’s the Sense of an Ending
Article

Memories and Stories Redefining the Past and History in Julian Barnes’s the Sense of an Ending

Catană, Elisabeta Simona