The Intersection between Film and Opera in the 1960s: Ingmar Bergman’s Hour of the Wolf as an Example of Formal Imitation
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Publisher:Stockholm University Press
Table of contents
Introduction
In between Life and Death: Sophie Calle’s Rachel, Monique (2014)
The Intersection between Film and Opera in the 1960s: Ingmar Bergman’s Hour of the Wolf as an Example of Formal Imitation
Figures of Migration: Intertextuality in Michelangelo’s Night
The Unlimited Performativity of Instruction Art: Space Transformer by Yoko Ono
From Folk Tale to Photomontage: A Transformation through a Stage Performance
Today’s Cake is a Log: Remediating the Intermediality of Hotel Pro Forma’s Works in an Exhibition
Panoramic Visions: Sven Hedin in “Transhimalaya” 1906–1909
The Lithographic Album 1873: Reproductive Media and Visual Art in the Age of Lithographic Reproduction
Stages of Consumerism: Mass Advertising and Children’s Literature in Early Twentieth-Century Sweden
Mediating Public Cultural Policy: Buildings, Bills, and Films as Governmentality
“The Analogue”: Conceptual Connotations of a Historical Medium
Unfixing the Concept of Illustration: Its Historiographical Ambivalence and Analytical Potential
Song as Event: On Intermediality and the Auditory
Old and New Media: On the Construction of Media History
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PDF ISBN: 978-91-7635-064-5 | E-Pub ISBN: 978-91-7635-065-2 | Hardback ISBN: 978-91-7635-067-6 | Mobi ISBN: 978-91-7635-066-9 | DOI: https://doi.org/10.16993/baq
Publisher: Stockholm University Press
Publication date: 2018
Language: English
Pages: 442