References
- Balme, C. (2021). Einführung in die Theaterwissenschaft [Introduction to Theatre Studies] (ESV basics, 6th revised and expanded edition). Schmidt, Erich.
- Bardiot, C. (2021). Performing Arts and Digital Humanities. From Traces to Data. John Wiley & Sons Incorporated. 10.1002/9781119855569
- Bekiari, C., Bruseker, G., Canning, E., Doerr, M., Michon, P., Ore, C.-E., Stead, S., & Velios, A. (Eds.). (2024). Definition of the CIDOC conceptual reference model (Version 7.1.3). CIDOC CRM Special Interest Group. Retrieved December 7, 2025, from
https://cidoc-crm.org/sites/default/files/cidoc_crm_version_7.1.3.pdf - Caplan, D. (2015). Notes from the Frontier: Digital Scholarship and the Future of Theatre Studies. Theatre Journal, 67(2), 347–359. 10.1353/tj.2015.0059
- Dössel, C. (2018, July 12). “Terror” vor “Faust” [‘Terror’ before ‘Faust’]. Süddeutsche Zeitung. Retrieved October 25, 2025, from
https://www.sueddeutsche.de/kultur/theaterstatistik-terror-vor-faust-1.4051533 - Doty, C. (2013). The Difficulty of An Ontology of Live Performance. InterActions: UCLA Journal of Education and Information Studies, 9(1). 10.5070/D491015611
- Estermann, B. (2020). Creating a Linked Open Data Ecosystem for the Performing Arts (LODEPA). Arti dello Spettacolo/Performing Arts. Open Data – Open Access: New Frontiers for Archives and Digital Platforms Dedicated to the Performing Arts, 6, 31–49. 10.24451/arbor.11958
- Estermann, B., & Schneeberger, C. (2017). Data Model for the Swiss Performing Arts Platform (0.51). Zenodo. 10.5281/zenodo.10427919
- Fachinformationsdienst Darstellende Kunst. (n.d). Suche [Search]. Retrieved December 22, 2025, from
https://www.performing-arts.eu/discovery/Blender/Results?lookfor=&lng=en - Forschungsdaten.org. (n.d.). FAIR data principles. Retrieved October 25, 2025, from
https://www.forschungsdaten.org/index.php/FAIR_data_principles - Freie Universität Berlin. (n.d.). Regiebuch von Max Reinhardt. Projektbeschreibung. [Director‘s script by Max Reinhardt. Project description]. Retrieved October 24, 2025, from
https://www.geisteswissenschaften.fu-berlin.de/v/max-reinhardt/projekt/index.html - Gronau, B. (2012).
Ausstellen und Aufführen. Performative Dimensionen zeitgenössischer Kunsträume [Exhibiting and performing. Performative dimensions of contemporary art spaces] . In E. Fischer-Lichte, A. Czirak, T. Jost, F. Richarz, & N. Tecklenburg (Hrsg.), Die Aufführung: Diskurs – Macht – Analyse (pp. 35–48). Brill, Fink. 10.30965/9783846753545_005 - Gustav Kiepenheuer Bühnenvertriebs-GmbH. (n.d.). TERROR – Ferdinand von Schirach – Ergebnisse [TERROR – Ferdinand von Schirach – Results]. Retrieved October 25, 2025, from
https://terror.theater/cont/results_main/de - Illmayer, K. (2017). Aufbau Einer Digitalen Infrastruktur Für Theaterwissenschaft. Skizze Einer Digitalen Forschungsplattform [Building a Digital Infrastructure for Theatre Studies. Outline of a Digital Research Platform]. 10.5281/zenodo.1123311
- Maignant, M., Pellé, D., Brison, G., & Poibeau, T. (2022). Drama Critiques’ Database. Journal of Open Humanities Data, 8,
21 . 10.5334/johd.81 - Nikitas, Z. (2023). Digital Humanities and Theatre Studies: From Fragility to Sustainability. IDEAH, 3(5). 10.21428/f1f23564.2ffd86f1
- Pavis, P. (1988). Semiotik der Theaterrezeption [Semiotics of theatre reception] (Acta Romanica, Vol. 6). Narr.
- Probst, N., & Pinto, V. (2020).
Re-Collecting Theatre History. Theaterhistoriografische Nachlassforschung mit Verfahren der Digital Humanities [Re-Collecting Theatre History. Theatre historiographical estate research using digital humanities methods] . In B. Wihstutz & B. Hoesch (Eds.), Neue Methoden der Theaterwissenschaft [New methods in theatre studies] (Vol. 133, pp. 157–179). Transcript Verlag. 10.1515/9783839452905-008 - SAPA Foundation. (n.d.). Foundation SAPA. Swiss Archive of the Performing Arts. Retrieved December 7, 2025, from
https://sapa.swiss/en - Theadok.at. (o. J.a). Theadok. Retrieved October 25, 2025 from
https://theadok.at/ - Tschapke, R. (2018, July 13). Schirachs „Terror“ das meistgespielte Stück [Schirach›s ‘Terror’ is the most frequently performed play]. Nordwest-Zeitung. Retrieved October 25, 2025, from
https://www.nwzonline.de/kultur/oldenburg-koeln-statistikschirachs-terror-das-meistgespielte-stueck_a_50%2C1%2C4268580035.html - Voß, F. (2017). Der Fachinformationsdienst Darstellende Kunst [The Performing Arts Specialised Information Service]. AKMB-news: Informationen zu Kunst, Museum und Bibliothek, 22(2), 52–55. 10.11588/akmb.2016.2.43113
- von Brincken, J., & Englhart, A. (2008). Einführung in die moderne Theaterwissenschaft [Introduction to modern Theatre Studies] (Einführungen Germanistik). Wiss. Buchges.
- Wahl, C. (2015, Oktober 4). Von Schirach am Deutschen Theater. „Terror“: Freispruch mit 255 zu 207 Stimmen [Von Schirach at the Deutsches Theater. ‘Terror’: acquittal by 255 votes to 207]. Tagesspiegel Online. Retrieved October 25, 2025 from
https://www.tagesspiegel.de/kultur/terror-freispruch-mit-255-zu-207-stimmen-3663736.html - Weiler, C., & Roselt, J. (2017). Aufführungsanalyse. Eine Einführung [Performance analysis. An introduction] (UTB Theaterwissenschaft, Bd. 3523). A. Francke Verlag. 10.36198/9783838535234
- Wikidata. (2022). Wikidata:WikiProject Performing arts/Typologies. Retrieved October 25, 2025 from
https://www.wikidata.org/wiki/Wikidata:WikiProject_Performing_arts/Typologies - Wikidata. (2023). Wikidata:WikiProject Performing arts. Retrieved December 6, 2025, from
https://www.wikidata.org/wiki/Wikidata:WikiProject_Performing_arts - Wikidata. (2025). Wikidata:WikiProject Performing arts/Data structure. Retrieved October 25, 2025, from
https://www.wikidata.org/wiki/Wikidata:WikiProject_Performing_arts/Data_structure - Wolter, V. C. (2025a). SPARQL-Queries – MtM. Retrieved October 25, 2025, from
https://mtm.uni-trier.de/wiki/SPARQL-Queries - Wolter, V. C. (2025b). Theaterwissenschaft trifft auf Digital Humanities. Modellierung theaterinszenatorischer Merkmale in Wikidata am Beispiel von Ferdinand von Schirachs „Terror“ [Theatre studies meets digital humanities. Modelling theatrical characteristics in Wikidata using the example of Ferdinand von Schirach‘s ‘Terror’]. [Master’s thesis, Universität Trier]. Trier University. 10.5281/zenodo.16744774