Have a personal or library account? Click to login
Marion Scott’s Professional Networks: A Dataset Uncovering Women’s Musical Connections in Early Twentieth-Century London Cover

Marion Scott’s Professional Networks: A Dataset Uncovering Women’s Musical Connections in Early Twentieth-Century London

Open Access
|Oct 2025

References

  1. Adams, B. (2011). Ivor Gurney and Marion Scott: Song of pain and beauty. Music & Letters, 92(4), 671675. 10.1093/ml/gcr067
  2. Ahnert, R., Ahnert, S. E., Coleman, C. N., & Weingart, S. (2020). The network turn: Changing perspectives in the humanities. Cambridge University Press. 10.1017/9781108866804
  3. Barget, M., & Schreibman, S. (2025). Feminist DH: A historical perspective: Excavating the lives of women of the past. In S. Schreibman & L. M. Rhody (Eds.), Feminist digital humanities: Intersections in practice (pp. 3558). University of Illinois Press.
  4. Cook, N. (2013). Beyond the score: Music as performance. Oxford University Press. 10.1093/acprof:oso/9780199357406.001.0001
  5. Crossley, N., McAndrew, S., & Widdop, P. (2014). Social networks and music worlds. Routledge Taylor & Francis Group. 10.4324/9781315867793
  6. D’Ignazio, C., & Klein, L. F. (2020). Data feminism. MIT Press. 10.7551/mitpress/11805.001.0001
  7. Fuller, S. (2018). Women musicians and professionalism in the late-nineteenth and early-twentieth centuries. In R. Golding (Ed.), The music profession in Britain, 1780–1920: New perspectives on status and identity (pp.149169). Routledge. 10.4324/9781315265001
  8. Gienapp, L., Kruckenberg, C., & Burghardt, M. (2021). Topological properties of music collaboration networks: The case of jazz and hip hop. Digital Humanities Quarterly, 15(1).
  9. Graham, S. S., Majdik, Z. P., & Clark, D. (2020). Methods for extracting relational data from unstructured texts prior to network visualisation in humanities research. Journal of Open Humanities Data, 6(1), 8. 10.5334/johd.21
  10. Hamer, L. (2021). The Cambridge companion to women in music since 1900. Cambridge University Press. 10.1017/9781108556491
  11. Head, M. W., & Wollenberg, S. (Eds.). (2024). The Cambridge Companion to Women Composers (First edition.). Cambridge University Press. 10.1017/9781108774079
  12. Koivisto, N. (2019). New Data, New Methods? Sources on Ladies’ Salon Orchestras in Europe, 1870–1918. Muzikologija : Časopis Muzikološkog Instituta Srpske Akademije Nauka i Umetnosti, 1(26), 4160. 10.2298/MUZ1926041K
  13. Mathias, R. (2021). The Routledge Handbook of Women’s Work in Music. Routledge. 10.4324/9780429201080
  14. Whitfield, S. K. (2023). Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities. Research Chronicle – Royal Musical Association, 54, 5064. 10.1017/rrc.2024.1
  15. Willén, A. R. (2024). A window into the musical life in nineteenth century Stockholm: Ideas on the application of digital visualisation methodology. Fontes Artis Musicae, 71(4), 347366. 10.1353/fam.2024.a947249
  16. Wills, T. (2015). Relational data modelling of textual corpora: The Skaldic Project and its extensions. Digital Scholarship in the Humanities, 30(2), 294313. 10.1093/llc/fqt045
DOI: https://doi.org/10.5334/johd.373 | Journal eISSN: 2059-481X
Language: English
Submitted on: Aug 25, 2025
|
Accepted on: Sep 22, 2025
|
Published on: Oct 17, 2025
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2025 Antonina Puchkovskaia, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.