Skip to main content
Have a personal or library account? Click to login
Using Museum Audio Guides in the Construction of Prosthetic Memory Cover

Using Museum Audio Guides in the Construction of Prosthetic Memory

By:  and    
Open Access
|Sep 2019

References

  1. Abel, M. 2006. ‘A review of “Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture” by Alison Landsberg (New York: Columbia UP, 2004)’. Quarterly Review of Film and Video, 23: 4, 377–388. DOI: 10.1080/10509200690897626
  2. Assmann, J. 1995. “Collective memory and cultural memory”. New German Critique, 65: 125–133. DOI: 10.2307/488538
  3. Assmann, J. 2008. Communicative and Cultural Memory. In: Cultural Memory Studies. An International and Interdisciplinary Handbook, Erll, A and Nünning, A (eds.) 109–118. Berlin, New York.
  4. Bauer-Krosbacher, C. 2013. Mobile interpretation at cultural attractions: Insights into users and non-users of audio-guides. In: Cultural Tourism, Raj, R, et al. (eds.), 64–73. Wallingford: CABI. DOI: 10.1079/9781845939236.0064
  5. Benjamin, W. 1968. ‘The work of art in the age of mechanical reproduction’. In: Illuminations, Arendt, H (ed.), 214–218. London, Fontana: Translated by Harry Zohn from the 1935 original.
  6. Christensen, JR. 2011. Four steps in the history of museum technologies and visitors’ digital participation. Journal of media and communication research. 50: 7–29. DOI: 10.7146/mediekultur.v27i50.2982
  7. Cubitt, G. 2007. History and Memory. New York.
  8. Dickinson, JE. 2014. Tourism and the smartphone app: capabilities, emerging practice and scope in the travel domain. Current Issues in Tourism, 17(1): 84–101. DOI: 10.1080/13683500.2012.718323
  9. Erll, A and Rigney, A. (eds). 2009. Mediation, Remediation, and the Dynamics of Cultural Memory. Berlin, New York: Walter de Gruyter.
  10. Genette, G. 1997. Paratexts: Thresholds of Interpretation. Translated from French by Lewin, JE. Cambridge: Cambridge University Press.
  11. Gregg, M and Seigworth, G. 2010. The Affect Theory Reader. Durham: Duke University Press. DOI: 10.1215/9780822393047
  12. Highmore, B. 2010. ‘Bitter After Taste: Affect, Food, and Social Aesthetics’. In: The Affect Theory Reader, Gregg, M and Seigworth, G (eds.), 118–137. Durham: Duke University Press. DOI: 10.1215/9780822393047-005
  13. Kase, C. 2007. ‘Review: “Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture”, by Alison Landsberg’. Film Quarterly, 60(4): 73–74. DOI: 10.1525/fq.2007.60.4.73
  14. Landsberg, A. 2004. Prosthetic Memory the Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press.
  15. Lee, SJ. 2017. A review of audio guides in the era of smart tourism. Information Systems Frontier, 19: 705–715. DOI: 10.1007/s10796-016-9666-6
  16. Macdonald, S. 2013. Memorylands. Heritage and Identity in Europe Today. London: Routledge.
  17. Marshall, MT, et al. 2016. Audio-based narratives for the trenches of World War I: Intertwining stories, places and interaction for an evocative experience. International Journal of Human-Computer Studies, 85: 27–39. DOI: 10.1016/j.ijhcs.2015.08.001
  18. Olick, JK, et al. (eds.) 2011. The Collective Memory Reader. New York: Oxford University Press.
  19. Wertsch, JV. 2003. Voices of Collective Remembering. Cambridge: Cambridge University Press. DOI: 10.1017/CBO9780511613715
  20. Widrich, M. 2014. Performative Monuments: The Rematerialisation of Public Art. Manchester: Manchester University Press.
  21. Winter, J. 2001. The memory boom in contemporary historical studies. Raritan-A Quarterly Review, 21(1): 52–66.
DOI: https://doi.org/10.5334/jcms.182 | Journal eISSN: 1364-0429
Language: English
Page range: 6 - 6
Submitted on: Oct 18, 2018
Accepted on: May 16, 2019
Published on: Sep 19, 2019
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services

© 2019 Laura Bertens, Sara Polak, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.