Have a personal or library account? Click to login
Community Uses of Co-creative Media Digital storytelling and Co-creative Media: The role of community arts and media in propagating and coordinating population-wide creative practice Cover

Community Uses of Co-creative Media Digital storytelling and Co-creative Media: The role of community arts and media in propagating and coordinating population-wide creative practice

Open Access
|Oct 2015

References

  1. AMRAP (n.d) The Australian Music Radio Airplay Project – Home. Retrieved December 10, 2014, from, http://www.amrap.com.au/
  2. Arts Queensland (n.d) Creative Recovery - Building Resilience. Retrieved June 1, 2013, from, http://www.arts.qld.gov.au/projects/recovery.html
  3. Arts Victoria (2013) Making Arts with Communities. Retrieved November 1, 2014, from http://www.arts.vic.gov.au/Research_Resources/Resources/Making_Art_with_Communities_A_Work_Guide
  4. Association for Independents in Radio (n.d) AIR – Home. Retrieved December 10, 2014, from, http://www.airmedia.org/
  5. Association for Independents in Radio (n.d). Localore. Retrieved December 10, 2014, from, http://localore.net/
  6. Australia Council for the Arts (n.d) Geek in Residence. Retrieved December 10, 2014, from, http://2014.australiacouncil.gov.au/grants/2014/Geek-in-Residence-2014-Round-2
  7. Australian Broadcasting Corporation (n.d) ABC Open. Retrieved December 10, 2014, from https://open.abc.net.au/
  8. Australian Centre for the Moving Image (n.d) Community Engagement Projects. Retrieved December 10, 2014, https://www.acmi.net.au/collections-research/community-engagement-projects/
  9. Australian Centre for the Moving Image (n.d) Generator. Retrieved June 1, 2012 from http://generator.acmi.net.au/
  10. Big hART (n.d) The Yijala Yala Project. Retrieved December 10, 2014, from, http://yijalayala.bighart.org/murru/
  11. Burgess, J. (2006) Hearing ordinary voices: Cultural studies, vernacular creativity and digital storytelling. Continuum: Journal of Media and Cultural Studies, 20(2), pp. 201-214.
  12. Center for Digital Storytelling (n.d) Home. Retrieved December 10, 2014, from http://storycenter.org/
  13. Co-Creative Communities Forum (n.d) Co-creative Communities Forum. Retrieved December 10, 2014, from http://digitalstorytelling.ci.qut.edu.au/index.php/events
  14. Community Media Training Organisation (n.d) CMTO – Home. Retrieved December 10, 2014, from, http://cmto.org.au/
  15. Couldry, N. (2008). Mediatization or mediation? Alternative understandings of the emergent space of digital storytelling. New Media & Society, 10(3), 373-391.
  16. Creating Australia (n.d) CACD500. Retrieved December 1, 2014, from, http://creatingaustralia.org.au/cacd500/
  17. Creative Commons Australia (n.d) Creative Commons Australia. Retrieved December 10, 2014, http://creativecommons.org.au/
  18. Creative Recovery Network (n.d) Creative Recovery Network. Retrieved July, 2013, from, http://placestories.com/community/creativerecovery
  19. Creative Regions (n.d) Home. Retrieved December 1, 2014, from, http://www.creativeregions.com.au/
  20. Cunningham, S. (2008). From Creative Industries to Creative Economy, in, G. Hearn and D. Rooney (eds.) Knowledge Policy: Challenges for the 21st Century. Cheltenham UK: Edward Elgar.
  21. Digital Storytelling Network (2014) The Digital Storytelling and Co-creative Media network. Retrieved August 1, 2014 from, http://placestories.com/community/DigitalStorytellerNetwork
  22. Edmond, M. (2013). Community Media 2.0: A Report from the ‘Co-Creative Communities’ Forum. Cultural Science, 6(1), 49-60.
  23. Edmond, M. & Spurgeon, C. (Eds.) (2013) Community Uses of Co-creative Media: User-Created Citizenship. Journal of Cultural Science 6 (1) Retrieved November 1, 2014, from http://cultural-science.org/journal/index.php/culturalscience/issue/view/13/showToc
  24. Eltham, B. (2012) Arts is local, storytelling digital, in co-creative communities. Crikey. Retrieved from http://www.crikey.com.au/2012/11/09/arts-is-local-storytelling-digital-in-co-creative-communities/ December 10, 2014.
  25. Feral Arts (2012). iFeral. Opinion Piece. Retrieved 25 January 2012, from, http://www.australiacouncil.gov.au/artforms/community-partnerships/opinion_piece
  26. Feral Arts (n.d) Feral Arts – About. Retrieved 10 December 2014, from, http://feralarts.com.au/
  27. Feral Arts (2014) The Platform. Retrieved July 1, 2014, from http://theplatform.com.au/
  28. Goolarri Media (n.d) Kimberley Girl. Retrieved June 1, 2012 http://www.goolarri.com/kimberley-girl/
  29. Gready, P. (2010). Introduction - “Responsibility to the Story.” Journal of Human Rights Practice, 2(2), 177–190. doi:10.1093/jhuman/huq008
  30. Gregory, S., & Losh, E. (2012). Remixing human rights: Rethinking civic expression, representation and personal security in online video. First Monday, 17(8).
  31. Hargittai, E. and Walejko, G. (2008). The Participation Divide: Content creation and sharing in the digital age. Information, Communication & Society. Vol. 11 (2): 239-256.
  32. Hartley, J. (2013). A Trojan Horse in the Citadel of Stories? Cultural Science, 6(1), 71-105.
  33. Hartley J., & Potts, J. (2014) Cultural Science: A Natural History of Stories, Demes, Knowledge and Innovation. London: Bloomsbury Publishing.
  34. Hartley, J. & McWilliam, K. (Eds.) (2009). Story Circle: Digital Storytelling Around The World. Wiley-Blackwell, Malden, MA.
  35. Haseman, B., & Mafe, D. (2009) Acquiring know-how: research training for practice-led researchers. In Smith, Hazel &Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, United Kingdom, Edinburgh, pp. 211-228.
  36. Hearn, G. N., Tacchi, J. A., Foth, M., & Lennie, J. (2009). Action research and new media: Concepts, methods and cases. Hampton Press.
  37. Jenkins, H. (2006). Convergence culture: Where old and new media collide. NYU press.
  38. Kelly, A. (June 2012). Research Interview.
  39. Kuddell, C. (2012). ‘Session 2: Impacts Effects Evaluation. Co-creative Communities: Storytelling Futures for Community Arts and Media. Public Forum. Australian Centre for the Moving Image, Melbourne, 8 November. Transcript and audio recording available at: http://digitalstorytelling.ci.qut.edu.au/index.php/events (accessed 31 March 2015).
  40. Lambert J. (2013). Digital Storytelling. Capturing Lives, Creating Community (4th Edition) London, NY: Routledge.
  41. Letch, K. (2012). Research Interview.
  42. Lundby. K. (2008). (ed). Digitals Storytelling. Mediatized Stories. Self-representation in new media. New York: Peter Lang.
  43. McWilliam, K. (2008). Digital storytelling as a 'discursively ordered domain'. In Lundby, K. (Ed.) Digital storytelling, mediatized stories : self-representations in new media. Peter Lang, New York.
  44. Meadows, M., Forde, S, Ewert, J, Foxwell, K. (2007) Community Media Matters. Retrieved August 1, 2014, from, http://cbonline.org.au/news-and-publications/community-media-matters-report/
  45. Museum of New Zealand (n.d) Te Papa Tongarewa. Retrieved May 1, 2014, from, http://www.tepapa.govt.nz/pages/home.aspx
  46. Museum of New Zealand (n.d) The Mixing Room. Retrieved May 1, 2014, from, sites.tepapa.govt.nz/refugeesblog/
  47. Myers, D. (2012). Research Interview.
  48. National Indigenous Television (n.d) Regional Remote and Emerging Initiative. Retrieved December 10, 2014, from http://www.nitv.org.au/fx-program.cfm?pid=2a73f286-c86d-08a2-254373436727d643
  49. Rennie, E. (2013). Co-creative Media in Remote Indigenous Communities. Cultural Science, 6(1), 22-36.
  50. Rennie, E. & Potts, J. (2011). Goolarri Media’s Kimberley Girl: Program Evaluation and Recommendations, October 2011. Report to Goolarri Media Enterprises.
  51. Rennie, E. & Potts, J. (2012). Diamonds, pearls and Kimberley Girls. Griffith Review, 36 [online edition].
  52. Schardt, S. (2012) Transcript of Presentation at Co-Creative Communities: Storytelling Futures for Community Arts and Media Symposium at The Australian Centre for Moving Image 2102. http://digitalstorytelling.ci.qut.edu.au/index.php/events
  53. Schradie, J. (2011). The digital production gap: The digital divide and Web 2.0 collide. Poetics, 39(2), 145-168.
  54. Shea, P. (2013). Co-creating knowledge online: approaches for community artists. Cultural Science, 6(1), pp. 37-48.
  55. Shea, P. (2014). Community arts and appropriate internet technology : participation, materiality, and the ethics of sustainability in the digitally networked era. PhD thesis, Queensland University of Technology.
  56. Simondson, H. (2009). Connecting Through Digital Storytelling. 3CMedia. Issue 5. Available at: https://www.cbaa.org.au/article/connecting-through-digital-storytelling (accessed 28 May 2015).
  57. Simondson, H. (2011). Research Interview.
  58. Spurgeon, C. (2013). The Art of Co-creative Media: An Australian Survey. Cultural Science, 6(1), 4-21.
  59. Spurgeon, C. (2014 unpublished) The ethics, aesthetics and practical politics of ownership in CCM. In Regional Conference of the International Communication Association : Digital Transformations, Social Media Engagement and the Asian Century, 1-3 October 2014, QUT Gardens Point Campus, Brisbane, Australia.
  60. Spurgeon, C., Burgess, J., Klaebe, H., Tacchi, J., McWilliam, K., & Tsai, M. (2009) Co-creative media : theorising digital storytelling as a platform for researching and developing participatory culture. In Australian and New Zealand Communication Association Conference, 8-10 July 2009, Queensland University of Technology, Brisbane, Queensland.
  61. Thumim, N. (2009). ‘Everyone has a story to tell ’Mediation and self-representation in two UK institutions. International Journal of Cultural Studies, 12(6), 617-638.
  62. Warschauer, M. (2004). Technology and social inclusion: Rethinking the digital divide. MIT press.
  63. Weight, J. (2013) At the edge of documentary: participatory online nonfiction. TEXT. 18 (October). Retrieved November 1, 2014, from http://www.textjournal.com.au/speciss/issue18/Weight.pdf
  64. White, A. (2010). Research Interview.
  65. WITNESS (n.d) WITNESS – About. Retrieved December 10, 2014, from, http://witness.org/
  66. De Roeper, J., & Savelsberg, H. J. (2009). Challenging the youth policy imperative: engaging young people through the arts. Journal of youth studies, 12(2), 209-225.
  67. Rennie, E. (2013) CCM in remote Indigenous communities. Cultural Science Journal 6(1), 22-36.
  68. Rennie, E. & Potts, J. (2011). Goolarri Media’s Kimberley Girl: Program Evaluation and Recommendations, October 2011. Report to Goolarri Media Enterprises.
  69. Rennie, E. & Potts, J. (2012). Diamonds, pearls and Kimberley Girls. Griffith Review, 36 [online edition].
  70. Allan, L. (2011) The Mixing Room - Stories form young refugees in New Zealand’ Summative Evaluation. Museum of New Zealand Te Papa Tongarewa, Visitor and Market Research.
  71. Jones, S. (2010) Reframing Difference: Museums, Cross-cultural communication and the representation of refugees in Hanne-Lovise Skartveit and Katherine Goodnow (eds) Changes in museum practice: new media, refugees and participation, edited by (UNESCO Museums and Diversity Series), Oxford, Berghahn Books.
  72. Gibson, S. & Kindon, S. (2013) The Mixing Room project at Te Papa: co-creating the museum with refugee background youth in Aotearoa/New Zealand. Tuhinga 24: 65–83.
  73. Cousins, S. (2011) ACMI Generator: A YouTube for Teachers [online]. Screen Education, No. 61, Autumn 2011: 124-127. Availability: ISSN: 1449-857X. [cited 20 Aug 14].
  74. Kunda, S., & Anderson-Wilk, M. (2011). Community stories and institutional stewardship: Digital curation's dual roles of story creation and resource preservation. Portal : Libraries and the Academy, 11(4), 895914. Retrieved from http://search.proquest.com/docview/1013807449?accountid=13380
  75. Russo, A., Watkins, J., Kelly, L., & Chan, S. (2008). Participatory communication with social media. Curator: The Museum Journal, 51(1), 21-31.
  76. AIR Localore (2014), What’s Outside? Public Media
  77. Edmond, M. (2014). All platforms considered: Contemporary radio and transmedia engagement. New Media & Society, 1461444814530245.
  78. Schardt, S. and Clark, J. (2014) To follow paths charted by Localore, consider these ‘new realities’ Current, American University School of Communication
  79. http://www.current.org/2014/05/to-follow-paths-charted-by-localore-consider-these-new-realities/#sthash.GxtDPYTa.BWeyx7Sn.dpuf
  80. Schardt, S. (2012) Transcript of Presentation at Co-Creative Communities: Storytelling Futures for Community Arts and Media Symposium at The Australian Centre for Moving Image 2102. http://digitalstorytelling.ci.qut.edu.au/index.php/events
  81. Contact Inc. (2014) Creative Recovery: Pilot Project Final Report. Available at: http://placestories.com/story/148181 (accessed: 30th March, 2014
  82. Creative Regions (2014) Afloat - Final Project Report. Available at: http://www.creativeregions.com.au/wp-content/uploads/2014/10/AfloatFinalReportWeb.pdf (accessed: 8th October, 2014)
  83. Feral Arts (2013) Community Reporters FAQ and Starter Kit. Available at: http://placestories.com/pool/cmty/0001/CreativeRecovery/docs/Creative%20Recovery%20Network%20-%20FAQ.pdf (accessed 5th December, 2013).
  84. Madsen, W., Chesham, M., & Pisani, S. (2015). Keeping Afloat after the Floods: Engaged Evaluation of a School-Based Arts Project to Promote Recovery. Community Resilience, Universities and Engaged Research for Today's World, 44.
  85. Wenger, E., White, N., & Smith, J. D. (2009). Digital habitats: Stewarding technology for communities. CPsquare.
  86. Anderson, H. (2013). Who are CitizenJ? An investigation into the motivations and experiences of volunteers and facilitators at the CitizenJ project. [Report (non-peer reviewed)]. 44.
  87. Heck, E (2014) Co-creating stories in social learning systems: The role of community media and cultural organisations in disseminating knowledge. Australian and New Zealand Communication Association Inc Conference. 9-11 July, Melbourne.
  88. McShane, I. (2011). Public libraries, digital literacy and participatory culture. Discourse: Studies in the Cultural Politics of Education, 32(3), 383-397.
  89. Skjonnemand, U. (2014). Parting Words from the Outgoing Newsroom Coordinator. CitizenJ. http://citizenj.edgeqld.org.au/parting-words-from-the-outgoing-newsroom-coordinator/ Accessed: 28th February.
  90. Edmond, M. (2014). All platforms considered: Contemporary radio and transmedia engagement. New Media & Society. DOI: 1461444814530245.
  91. Joseph, Nicola. 2011. Interviewed by Christina Spurgeon (in person) Sydney, 9 September.
  92. Lindgren, M. (2014). 'This Australian life': The Americanisation of radio storytelling in Australia. Australian Journalism Review, 36(2), 63.
  93. Lindgren, M., & McHugh, S. A. (2013). Not dead yet: emerging trends in radio documentary forms in Australia and the US.
  94. Spurgeon, C. (2013). The Art of Co-creative Media: An Australian Survey. Cultural Science, 6(1), 4-21.
  95. White, Alex (2012). Radio with Pictures. CBX (November):12-13.
  96. CMTO (2014) National Features and Documentary Competition. Available at: http://www.cmto.org.au/about/about-the-cmto-1/latest-news/420-national-features-a-documentary-competition-203 (accessed 25 November 2014).
  97. Eltham, Ben. The Curious Significance of Triple J [online]. Meanjin, Vol. 68, No. 3, Spring 2009: 52-58. Availability: ISSN: 0025-6293. [cited 25 Nov 14].
  98. Foxwell, Kerrie (2012). Community Radio in and Australian city: The Melbourne experience, The Radio Journal – International Studies in Broadcast & Audio Media 10: 2, pp. 161-172, doi:10.1386/rajo.10.2.161_1
  99. Haseman, B., & Mafe, D. (2009). Acquiring know-how: Research training for practice-led researchers. Practice-led research, research-led practice in the creative arts, 211-228.
  100. Hearn, G. N., Tacchi, J. A., Foth, M., & Lennie, J. (2009). Action research and new media: Concepts, methods and cases. Hampton Press.
  101. Homan, Shane. 'High risk' music: The live music venue in Melbourne's night-time economy [online]. In: Instruments of Change: Proceedings of the International Association for the Study of Popular Music Australia-New Zealand 2010 Conference. Melbourne, Vic.: International Association for the Study of Popular Music, 2011: 41-45. Availability: ISBN: 9780975774748. [cited 25 Nov 14].
  102. MacFarlane, Maddy, Interview 8 November 2014
  103. National Features and Documentary Competition (2014). What We Talk About When We Talk About Music Available at: http://radiodococomp.weebly.com/what-we-talk-about-when-we-talk-about-music (accessed 24 November 2014).
  104. Spurgeon, C. (2013). The art of co-creative media: An Australian survey. Cultural Science Journal 6(1), 421.
  105. Butler, T. (2006). A Walk of art: the potential of the sound walk as practice in cultural geography. Social & Cultural Geography. 7 (6): 889-908.
  106. Edmond, M. (2014). All platforms considered: Contemporary radio and transmedia engagement. New Media and Society. April 7: 1-17.
  107. Isay, D. (2013). Ties that bind: stories of love and gratitude from the first ten years of StoryCorps. New York: The Penguin Press.
  108. Our True Colours (2014) OurTruecolours.org
  109. Denborough, D. (2008) Collective Narrative Practice: Responding to Individuals, Groups, and Communities Who Have Experienced Trauma, Adelaide: Dulwich Centre.
  110. Lenette, C. & Ingamells, A., (2014). Mind the Gap! The growing chasm between funding-driven agencies, and social and community knowledge and practice.
  111. Community Development Journal, pp.1–16.
  112. ACMI (nd.) The rise and fall of the anthology series on American television, Available at: http://www.acmi.net.au/anthology_americantv.htm#.T1XB4_xfyv8.email (accessed 18 July 2012).
  113. Cultural Development Network (2011) Informed Consent Project. VicHealth.
  114. Meadows, D. (2003). Digital Storytelling - Research-based Practice in New Media. Visual Communication 2(2):189-193.
  115. Spurgeon, C. (2013) Broadcasting digital stories on Australian community television : the Digistories Anthology. In Alcantud-Díaz, María & Gregori-Signes, Carmen (Eds.) Experiencing Digital Storytelling. JPM Ediciones, Valencia, Spain, pp. 163-183.
  116. Spurgeon, C. (2014) The ethics, aesthetics and practical politics of ownership in CCM. Paper presented at the regional conference of the International Communication Association, Digital Transformations, Social Media Engagement and the Asian Century, 1-3 October 2014, Brisbane, Australia.
  117. Australia Council for the Arts (2013) Community Partnerships - Assessment Meeting Report April 2013 (Key Producers). Available at: http://2014.australiacouncil.gov.au/grants/grant-decisions/reports/community-partnerships/community-partnerships-assessment-meeting-report-april-2013-key-producers
  118. Global Network of Sex Work Projects 2014 (2014) Solidarity is not a Crime. Sex Workers Freedom Festival held in Kolkata, India 2012. Available at: http://www.nswp.org/page/reports-iac-2012 (accessed 24 November 2014).
DOI: https://doi.org/10.5334/csci.87 | Journal eISSN: 1836-0416
Language: English
Page range: 150 - 242
Published on: Oct 31, 2015
Published by: Tallinn, Erfurt University
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2015 Nina Woodrow, Christina Spurgeon, Ellie Rennie, Helen Klaebe, Elizabeth Heck, Brad Haseman, John Hartley, Maura Edmond, Jean Burgess, published by Tallinn, Erfurt University
This work is licensed under the Creative Commons Attribution 4.0 License.