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A public theatre as a living lab to create resilience Cover

A public theatre as a living lab to create resilience

By: Alina Apostu and  Maria Drăghici  
Open Access
|Feb 2026

Figures & Tables

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Figure 1

Masca’s urban living lab’s (ULL) interdisciplinary structure.

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Figure 2

View of typical socialist-era blocks of the 1970s from Masca’s rooftop.

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Figure 3

Photos and systematisation plan of Militari district in Bucharest, 1980.

Sources: Arhitectura (1980).

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Figure 4

Masca’s urban living lab’s (ULL) two-phase timeline.

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Figure 5

Stakeholder mapping based on the Quintuple Helix (H5) model.

Table 1

Challenges for private–public partnerships and Masca’s potential as a facilitator.

CHALLENGEQUOTATIONSPOTENTIAL FOR MASCA AS A FACILITATOR
Gap between law and practice: trust deficits and weak collaboration frameworks‘Everyone mentions public–private partnerships, but they are nowhere to be found!’ (PMB representative)Applying and supporting an H5 model of collaboration and providing a rehearsal setting, such as The Dialogue Table, for how such partnerships could operate
Lack of incentives‘If we don’t consider incentivising businesses […] we cannot foster good practice. Businesses adapt to penalties and see themselves as more financially sustainable by paying fines rather than following the law’ (IMM Romania)Performative training programmes delivered by Masca to companies’ employees ‘akin to a personal development programme, which would have massive impact on companies [if companies] actively encourag[e] their staff to take part’ (information technology company representative)
High cost of partnerships focused on sustainability‘[A]t the moment, sustainability is expensive for businesses because they need to inform and educate their employees’ (sustainability consultant)Programmes to foster mindset changes essential for developing ‘practices and services truly serving society rather than solely making a huge business profit’ (sustainability consultant)
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Figure 6

Garden refurbishment involving staff, community and researchers.

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Figure 7

Stage set recycled as a pagoda showing inscriptions from past performances.

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Figure 8

Intergenerational collective creative expression during the Street Art Workshop.

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Figure 9

Performative setting for The Dialogue Table.

Table 2

Systemic changes needed and risks.

PROBLEMMEASURESPOTENTIAL RISK/UNINTENDED CONSEQUENCES
Masca’s Organisational and Operational Regulations’ (ROF) restrictive scope inhibits collaborations, building trust, developing social impact, etc.
  • PMB approval to modify ROF to include community development and sustainable transition activities

  • General Municipality of Bucharest (PMB) and District 6 Municipality (PS6) collaboration to allow a budgetary increase to serve both the local and city-wide public

  • Formal integration of community-focused roles, e.g. community facilitators to support an expanded scope, could be achieved either by renaming and expanding the Communication & Marketing Service into Communication, Marketing & Community Engagement, or by establishing a new unit, ‘Community Projects & Mediation’, under the Artistic Department

  • Strengthening Masca’s institutional resilience amid PMB and PS6 political rupture

  • Integrating the practice connecting artistic creation and community life into Masca’s core operations, ensuring both continuity of engagement and eligibility for participatory cultural grants within the local and European Union funding frameworks

  • If not streamlined, PMB–PS6 collaboration for budgetary increase could lead to ineffective timelines

Lack of an iterative participatory process
  • Ongoing urban living labs (ULLs) with an action-research cycle: observe → reflect → plan → act → observe again (feedbacking culture)

  • Bolstering a transferable collaborative model that offers long-term understanding of social dynamics and nimble-yet-inclusive problem-solving

  • In view of the polarised Romanian context, the initial phases of implementing such ULLs may give rise to highly charged settings

Masca’s limited involvement in the local community
  • Develop and integrate regular participatory activities in the theatre’s strategy

  • Review and adapt according to community feedback and through community participation

  • More representative design of initiatives addressing community needs

  • Sustaining strengthened and engaged, thus more resilient, communities

  • Expanding the scope of the theatre may run the risk of alienating the existing public. However, the ULL’s preliminary findings did not show this to be the case as the public attracted by Masca’s ‘alternative’ approach to theatre plays shared many of the values embodied by this new vision to address community needs. The physical layout also helps in this sense, as the building and garden offer flexible spaces, lending themselves to multifunctional use

DOI: https://doi.org/10.5334/bc.623 | Journal eISSN: 2632-6655
Language: English
Submitted on: Apr 14, 2025
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Accepted on: Jan 27, 2026
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Published on: Feb 25, 2026
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2026 Alina Apostu, Maria Drăghici, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.