References
- Adorno, Theodor. “Trying to Understand Endgame.” New German critique, no. 26, 1982, pp. 119–150. DOI: 10.2307/488027
- Bakhtin, Mikhail.
“Discourse in the Novel.” Dialogic Imagination: Four Essays, edited by Michael Holquist, by Mikhail Bakhtin, University of Texas Press, 1981, pp. 259–422. - Barnet, Sylvan.
“King Lear on Stage and Screen.” King Lear, edited by Russell Fraser, by William Shakespeare, New American Library, 1998, pp. 249–260. - Bate, Jonathan, and Eric Rasmussen.
“King Lear in Performance.” King Lear, edited by Jonathan Bate and Eric Rasmussen, by William Shakespeare, Macmillan, 2009, pp. 155–202. DOI: 10.1007/978-1-137-00457-4 - Beckett, Samuel. The Complete Dramatic Works. Faber and Faber, 2006.
- Brook, Peter. “Style in Shakespearean Production.” The Modern Theatre: Readings and Documents, edited by D. Seltzer, Little, Brown, 1967, pp. 249–56.
- Brook, Peter. The Empty Space. Penguin, 2008.
- Brook, Peter. The Shifting Point. Methuen Drama, 1988.
- Brook, Peter. “What About Real Life?” Crucial Years, edited by Peter Brook et al, Max Reinhardt, 1963, pp. 20–22.
- Brook, Peter, Daniel Labielle. “The Formless Hunch: An Interview with Peter Brook.” Modern Drama, No. 23, issue 3, 1980, pp. 219–26. DOI: 10.3138/md.23.3.219
- Chambers, Colin. Inside the Royal Shakespeare Company. Routledge, 2004. DOI: 10.4324/9780203488683
- Crowl, Samuel. Shakespeare Observed: Studies in Performance on Stage and Screen. Ohio UP, 1992.
- Darlington, W. A. “Boring Lack of Humanity in ‘End-Game’.” Daily Telegraph, 29 Nov 1958.
- da Silva Gregório, Paulo. “Beyond the Absurd: Beckettian Tragicomedy Recast in Adrian Noble’s King Lear.” English Studies, pp. 1–15. DOI: 10.1080/0013838X.2020.1796384
- Davies, Anthony. Filming Shakespeare’s Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook, and Akira Kurosawa. Cambridge UP, 1988. DOI: 10.1017/CBO9780511553097
- Esslin, Martin. The Theatre of the Absurd. Penguin, 1991.
- Foakes, R. A. “Introduction.” King Lear, edited by R. A. Foakes, by William Shakespeare, Thomson Learning, 2001, pp. 1–151.
- Foakes, R. A.
“King Lear and Endgame.” Shakespeare Survey, edited by Peter Holland, Cambridge UP, 2002, pp. 153–58. DOI: 10.1017/CCOL0521815878.013 - Gellert, Robert. “Scofield’s Lear.” New Statesman, 1962, p. 715.
- Gontarski, S. E.
“The Essential Beckett.” On Beckett, edited by S. E. Gontarski, Anthem Press, 2012, pp. xi–xvi. - Graver, Lawrence. Samuel Beckett, Waiting for Godot. Cambridge UP, 2004. DOI: 10.1017/CBO9780511802492
- Griggs, Yvonne. Shakespeare’s King Lear: The Relationship between Text and Film. London: Methuen Drama, 2009.
- Halio, Jay L. King Lear: A Guide to the Play. Greenwood Press, 2001.
- Hall, Peter.
“Avoiding a Method.” Crucial Years, edited by Peter Brook et al, Max Reinhardt, 1963, pp. 14–19. - Kennedy, Andrew K. Samuel Beckett. Cambridge UP, 1989. DOI: 10.1017/CBO9780511659430
- Kennedy, Dennis. Looking at Shakespeare. Cambridge UP, 1993.
- “King Lear: Stratford-upon-Avon.” Review. Mail on Sunday 11 July 1982.
- Kott, Jan. Shakespeare Our Contemporary. Methuen, 1967. DOI: 10.2307/1125124
- Leggatt, Alexander. King Lear. Manchester UP, 2004.
- Lieblein, Leanore. “Jan Kott, Peter Brook, and King Lear.” Journal of Dramatic Theory and Criticism, No. 1, issue 2, 2012, pp. 39–49.
- Marowitz, Charles. “Lear Log.” The Tulane Drama Review, No. 8, issue 2, 1963, pp. 103–21. DOI: 10.2307/1124701
- McDonald, Ronan. The Cambridge Introduction to Samuel Beckett. Cambridge UP, 2006. DOI: 10.1017/CBO9780511607417
- Moore, Don D. “Review: King Lear and Much Ado About Nothing.” Theatre Journal, No. 35, issue 2, 1983, pp. 260–61. DOI: 10.2307/3207160
- Morley, Sheridan. “Noble Lear.” Review. Punch 21 July 1982.
- Royal Shakespeare Company. King Lear. Theatre Programme. London: Barbican Theatre, 1983.
- Royal Shakespeare Company. King Lear. Theatre Programme. London: Barbican Theatre, 2016.
- Shakespeare, William. King Lear, edited by R. A. Foakes, The Arden Shakespeare, 2004.
- Shulman, Milton. “Rev. Of King Lear.” London Theatre Record May–Jun., 1983, p. 420.
- Sinfield, Alan. “King Lear versus Lear at Stratford.” Critical Quarterly, No. 24, issue 4, 1982, pp. 5–14. DOI: 10.1111/j.1467-8705.1982.tb01893.x
- Stern, Tiffany. Making Shakespeare: from Stage to Page. Routledge, 2004. DOI: 10.4324/9780203625484
- Trewin, J. C. Peter Brook: A Biography. MacDonald, 1971.
- Tynan, Kenneth. “A World Without Gods or Hope.” The Observer, 16 Dec. 1962.
- Tynan, Kenneth. “New Writing.” The Observer, 7 Aug. 1955.
- Tynan, Kenneth. “Slam’s Last Knock.” The Observer, 2 Nov. 1958.
- Vickers, Brian. Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays. Oxford UP, 2006.
- Worthen, W. B. Shakespeare and the Authority of Performance. Cambridge UP, 1997. DOI: 10.1017/CBO9780511583193
- Worthen, W. B. Shakespeare and the Force of Modern Performance. Cambridge UP, 2003. DOI: 10.1017/CBO9780511484087
- Worthen, W. B.
“Shakespeare Performance Studies.” The Shakespeare International Yearbook 10, edited by G. Bradshaw, T. Bishop and D. Schalkwyk, Ashgate, 2010, pp. 77–92. DOI: 10.4324/9781315264271-6 - Worthen, William B. Shakespeare Performance Studies. Cambridge UP, 2014. DOI: 10.1017/CBO9781107295544
- Worton, Michael.
“Waiting for Godot and Endgame: theatre as text.” The Cambridge Companion to Beckett, edited by John Pilling, Cambridge, UP, 1994, pp. 67–87. DOI: 10.1017/CCOL0521413664.004