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Giving Voice to a Building: A Critical Analysis of Adolf Loos’s Landhaus Khuner Cover

Giving Voice to a Building: A Critical Analysis of Adolf Loos’s Landhaus Khuner

By: Eva Branscome  
Open Access
|Feb 2020

Figures & Tables

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Figure 1

Payerbach in 1854 with railway line and viaduct in the background [Courtesy of Ludwig Czerny and Carl Ritter von Ghega].

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Figure 2

Northern aspect of the Landhaus Khuner (1928–30) [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 3

Western aspect of the Landhaus Khuner, with access path [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 4

Plans and elevation of the Landhaus Khuner [Courtesy of Heinrich Kulka].

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Figure 5

Western elevation showing the summer access route up to the Landhaus Khuner [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 6

Southeastern aspect showing the door for winter access [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 7

Vestibule of the Landhaus Khuner [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 8

Main living room/hall with its glazed exterior wall/doors and seating arrangement [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 9

Interior view of the main hall, showing the lower areas and the gallery above [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 10

Southwest aspect of building showing its roof terrace [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 11

Male client’s office/study with altered view through its picture window [Courtesy of Heinrich Kulka].

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Figure 12

Male client’s office/study with unaltered view through its picture window [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 13

View from protruding guest room on upper floor [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 14

Daughter’s bedroom with its alcove and sink located above the staircase rising beneath [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 15

The construction site hut for the Schwarzwaldschule I project (1912–13) was built of wood with a shallow roof to accommodate for the regional alpine conditions of the Semmering [Drawings of these projects by Adolf Loos held in the Graphische Sammlung Albertina, Vienna].

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Figure 16

Unrealized proposal for a vacation house in Gastein (1922). Here the fusion of the urban-rural disparity is articulated in the design and the building uncannily pre-empts both the cubic form of the Villa Müller and the regional materials of the Landhaus Khuner [Courtesy of Heinrich Kulka].

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Figure 17

Interior perspective of a hall with inglenook of an undated project by Adolf Loos. Colour, texture and materials were very important for him yet are often lost in black-and-white photographs [Drawings of these projects by Adolf Loos held in the Graphische Sammlung Albertina, Vienna].

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Figure 18

The elevation of a vacation home for Leo Prinz Sapieha shows a pitched roofed structure (1918). The location for this unrealized project is unknown [Drawings of these projects by Adolf Loos held in the Graphische Sammlung Albertina, Vienna].

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Figure 19

The section shows a dining area within a galleried hall [Drawings of these projects by Adolf Loos held in the Graphische Sammlung Albertina, Vienna].

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Figure 20

The plan shows a strikingly similar interior arrangement to the later Landhaus Khuner [Drawings of these projects by Adolf Loos held in the Graphische Sammlung Albertina, Vienna].

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Figure 21

Dining room of the Khuner apartment in Vienna (1907) [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 22

Living room of the Hirsch apartment, Pilsen, now in the Czech Republic (1907) [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 23

Garden room of the remodelled Hirsch apartment, Pilsen (1929) [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 24

As an icon of architectural Modernism the mute cubic form of the Villa Müller (1930) bestows very little of the interior and is situated on a sloping suburban site overlooking Prague [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

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Figure 25

Adolf Loos inspecting logs, wearing his city clothes and standing in the snow [Photographs by Martin Gerlach held in the Graphische Sammlung Albertina, Vienna].

DOI: https://doi.org/10.5334/ajar.186 | Journal eISSN: 2397-0820
Language: English
Published on: Feb 14, 2020
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2020 Eva Branscome, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.