Abstract
A glass pyramid, a sphinx and a Medieval Excalibur, an Eiffel tower, a Statue of Liberty, a Ponte Rialto with an escalator and a canal sailed by gondolas with Mickey Mouse – these are the faces of Las Vegas. Kitsch, excess and chaos are concepts that form the universe of the semantics of Las Vegas. We can also attempt to understand this identity, distinct both in its unbridled form and the ideas represented by the city, by referring to Bakhtin’s concept of the carnival.