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Performing Intra-Cultural Identities at the Shared Space of the Ruhunu Katharagama Asala Perahera Procession Cover

Performing Intra-Cultural Identities at the Shared Space of the Ruhunu Katharagama Asala Perahera Procession

Open Access
|Jul 2024

Abstract

This research paper discusses the complexity of performing, emphasising one’s traditional arts and belongings to claim and represent one's cultural capital or to meet the stereotypical anticipations of ‘others’ in shared cultural spaces, particularly in the context of sociocultural parades. This research also briefly delves into how the dynamics of disempowerment and empowerment of subcultures affect representing identities in shared spaces. It employs archival observations to analyse the Ruhunu Katatharagama Dewala Asala Perehera procession in Sri Lanka. In particular, the study exemplifies the representation of the identities of the contributing sub-cultures ethnic communities and performance groups of Sri Lanka through their residual, modified and stereotypical cultural performances including the performances by Sinhala, Tamil and Indigenous communities representing Buddhist, Hindu, and other religious beliefs and ideologies.
DOI: https://doi.org/10.4038/jrm.v2i2.33 | Journal eISSN: 2961-5666
Language: English
Page range: 87 - 108
Published on: Jul 31, 2024
Published by: Faculty of Music, University of the Visual and Performing Arts
In partnership with: Paradigm Publishing Services

© 2024 Tharanga Chinthana Dandeniya, published by Faculty of Music, University of the Visual and Performing Arts
This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 License.