Abstract
Popular Sinhala lullabies passed down orally from generation to generation occupy an ambiguous and neglected space within Sri Lankan music. Nonetheless, when examined closely, these lullabies offer rich and nuanced interpretations of female experiences, particularly concerning motherhood and mothering. These songs either reinforce or challenge patriarchal concepts within their intertextual frameworks. The primary aim of this study was to conduct a feminist critical discourse analysis of selected Sinhala lullabies to explore how they portray the dilemmas faced by women who are mothers or who aspire to be, caught between traditional expectations and the realities of becoming biological mothers. The findings demonstrate how these lullabies capture the complexities of Sinhalese women's experiences, reflecting their frustrations, emotional and physical suffering, and joyful connections with their children. Although the singers of these lullabies remain anonymous, their voices continue to critically engage with societal ideals and standards, revealing the multifaceted nature of mothering and motherhood within the Sinhala community.
DOI: https://doi.org/10.4038/jrm.v2i2.30 | Journal eISSN: 2961-5666
Language: English
Page range: 41 - 61
Published on: Jul 31, 2024
Published by: Faculty of Music, University of the Visual and Performing Arts
In partnership with: Paradigm Publishing Services
© 2024 Sumudu Embogama, published by Faculty of Music, University of the Visual and Performing Arts
This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 License.
