References
- 1Clarke, Austin. A Passage Back Home: A Personal Reminiscence of Samuel Selvon. Exile Ed., 1994.
- 2Derby, Lauren. “Beyond Fugitive Speech: Rumor and Affect in Caribbean History.” Small Axe: A Caribbean Journal of Criticism, vol. 18, no. 2, 2014, pp. 123–140. DOI: 10.1215/07990537-2739893
- 3Donnell, Alison. “The Island and the World: Kinship, Friendship and Living Together in Selected Writings of Sam Selvon.” Journal of West Indian Literature, vol. 20, no. 2, 2012, pp. 54–69.
- 4Goodison, Lorna. Mother Muse. Carcanet Poetry, 2021.
- 5Greenberg, Jonathan.
“What is Satire?” The Cambridge Introduction to Satire, Cambridge UP, 2018, pp. 3–26. DOI: 10.1017/9781139343251.001 - 6Hutcheon, Linda. Irony’s Edge: The Theory and Politics of Irony. Routledge, 1994.
- 7Kunzru, Hari.
“Introduction.” Moses Ascending. Penguin, 2008, pp. vii–xvii. - 8Nasta, Susheila. “An Afterword on Moses’s Preface.” Kunapipi, vol. 17, no. 1, 1995, pp. 128–129.
- 9Selvon, Samuel. “A Special Preface by Moses Aloetta Esq. (1991).” Kunapipi, vol. 17, no. 1, 1995, pp. 126–128.
- 10Selvon, Samuel. Moses Ascending. Penguin, 2008.
- 11Seto, Takahiro. “(Un)Decidable Stereotypes: Anti-Racist Satire in Popular American Literature from the Late Nineteenth Century to the Mid-Twentieth Century.” University of Oklahoma, 2022.
- 12Singh, Kris.
“Caribbean Immigrants in Relationship: Tracing the Transnational Connections between Austin Clarke and Samuel Selvon.” Queen’s University, 2016,hdl.handle.net/1974/14160 .