Six Encounters with Bolzano’s Aesthetics
References
- Berlyne, David E. Aesthetics and Psychobiology. New York: Appleton-Century-Crofts, 1971.
- Berlyne, David E. Conflict, Arousal, and Curiosity. New York: McGraw Hill, 1960.
- Bolzano, Bernard. Essays on Beauty and the Arts. Edited by Dominic McIver Lopes. Translated by Adam Bresnahan. Indianapolis: Hackett, 2023.
- Bolzano, Bernard.
‘On the Classification of the Fine Arts.’ In Essays on Beauty, 81–132. Abbreviated as CFA. - Bolzano, Bernard.
‘On the Concept of the Beautiful.’ In Essays on Beauty, 35–80. Abbreviated as CB. - Hlobil, Tomáš. ‘Bernard Bolzano on the Picture, the Image and the Visual Depiction.’ Umění 72 (2024): 98–109. DOI: 10.54759/ART-2024-0201
- Kant, Immanuel. Critique of the Power of Judgment. Translated by Paul Guyer and Eric Matthews. Cambridge: Cambridge University Press, 2000. DOI: 10.1017/CBO9780511804656
- Kant, Immanuel. The Jäsche Logic. In Lectures on Logic, translated by Michael Young, 9:1–150. Cambridge: Cambridge University Press, 1992.
- Kirwin, Claire. ‘Beyond the Birth: Middle and Late Nietzsche on the Value of Tragedy.’ Inquiry 66 (2023): 1283–1306. DOI: 10.1080/0020174X.2022.2164051
- Livingston, Paisley. ‘Bolzano on Art.’ British Journal of Aesthetics 56 (2016): 333–45. DOI: 10.1093/aesthj/ayw072
- Livingston, Paisley. ‘Bolzano on Beauty.’ British Journal of Aesthetics 54 (2014): 269–84. DOI: 10.1093/aesthj/ayu037
- Livingston, Paisley. ‘An Introduction to Bolzano’s Essay on Beauty.’ Estetika 52 (2015): 203–28. DOI: 10.33134/eeja.140
- Livingston, Paisley. Review of Bernard Bolzano, Nachgelassene Schriften, vol. 13, Ästhetische Schriften. British Journal of Aesthetics 63 (2023): 438–42. DOI: 10.1093/aesthj/ayab071
- Lopes, Dominic McIver. ‘Bolzano on Aesthetic Normativity.’ British Journal of Aesthetics 64 (2024): 143–56. DOI: 10.1093/aesthj/ayad019
- Lopes, Dominic McIver.
‘Introduction’ . In Essays on Beauty and the Arts, edited by Dominic McIver Lopes, 1–24. Indianapolis: Hackett, 2023. - Matthen, Mohan. ‘Play, Skill, and the Origins of Perceptual Art.’ British Journal of Aesthetics 55 (2015): 173–97. DOI: 10.1093/aesthj/ayu057
- Nietzsche, Friedrich. Beyond Good and Evil. Edited by Rolf-Peter Horstmann and Judith Norman. Translated by Judith Norman. Cambridge: Cambridge University Press, 2002. DOI: 10.1017/CBO9780511812033
- Nietzsche, Friedrich. The Gay Science. Translated by Josefine Nauckhoff. Cambridge: Cambridge University Press, 2001.
- Nietzsche, Friedrich. On the Genealogy of Morality. Translated by Carol Diethe. Cambridge: Cambridge University Press, 2007.
- Reber, Rolf, Norbert Schwarz, and Piotr Winkielman. ‘Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver’s Processing Experience?’ Personality and Social Psychology Review 8 (2004): 364–82. DOI: 10.1207/s15327957pspr0804_3
- Rusnock, Paul, and Jan Šebestík. Bolzano, His Life and Work. Oxford: Oxford University Press, 2019. DOI: 10.1093/oso/9780198823681.003.0002
- Schopenhauer, Arthur. The World as Will and Representation. Vol. 1. Edited and translated by Christopher Janaway, Judith Norman, and Alistair Welchman. Cambridge: Cambridge University Press, 2014.
- Schellekens, Elizabeth. ‘Thinking the Aesthetic: Towards a Noetic Account of Aesthetic Experience’. Journal of Aesthetics and Art Criticism 82 (2024): 129–41. DOI: 10.1093/jaac/kpae023
- Tolstoy, Leo. What Is Art? Translated by Aylmer Maude. New York: Funk and Wagnalls, 1904.
- Tuna, Emine Hande. ‘Bolzano’s Aesthetic Cognitivism.’ Journal of the American Philosophical Association 11 (2025): 413–30. DOI: 10.1017/apa.2024.10
DOI: https://doi.org/10.33134/eeja.583 | Journal eISSN: 2571-0915
Language: English
Page range: 89 - 112
Submitted on: Oct 11, 2024
Accepted on: Oct 16, 2025
Published on: Mar 16, 2026
Published by: Helsinki University Press
In partnership with: Paradigm Publishing Services
Keywords:
© 2026 Dominic McIver Lopes, James Shelley, Mohan Matthen, Jennifer Judkins, Claire Kirwin, Katalin Makkai, Sandra Shapshay, published by Helsinki University Press
This work is licensed under the Creative Commons Attribution 4.0 License.