Skip to main content
Have a personal or library account? Click to login
Interpretive Authenticity: Performances, Versions, and Ontology Cover

Interpretive Authenticity: Performances, Versions, and Ontology

Open Access
|Sep 2022

References

  1. Cowgill, Rachel. ‘An Unknown Handel Arrangement by Mozart? The Halifax Judas.’ Musical Times 143 (2002): 1936. DOI: 10.2307/1004420
  2. Davies, Stephen. Musical Understandings and Other Essays on the Philosophy of Music. Oxford: Oxford University Press, 2011. DOI: 10.1093/acprof:oso/9780199608775.001.0001
  3. Davies, Stephen. Musical Works and Performances: A Philosophical Exploration. Oxford: Oxford University Press, 2001.
  4. Davies, Stephen. ‘Performing Musical Works Authentically: A Response to Dodd.’ British Journal of Aesthetics 53 (2013): 7175. DOI: 10.1093/aesthj/ays068
  5. Del Mar, Jonathan. ‘The Plain Truth about Urtext, Part 1.’ Interview. Classics Today. 6 April 2017. https://www.classicstoday.com/plain-truth-urtext-part-1.
  6. Dodd, Julian. Being True to Works of Music. New York: Oxford University Press, 2020. DOI: 10.1093/oso/9780198859482.001.0001
  7. Dodd, Julian. ‘Performing Works of Music Authentically.’ European Journal of Philosophy 23 (2012): 485508. DOI: 10.1111/j.1468-0378.2012.00546.x
  8. Dodd, Julian. Works of Music: An Essay in Ontology. New York: Oxford University Press, 2007.
  9. Handel, George Frideric. Der Messias/Messiah. Orchestrated by Wolfgang Amadeus Mozart. Austrian Radio Symphony Orchestra. Sir Charles Mackerass. Recorded February 1974. Deutsche Grammophon, 1991. 2 CDs.
  10. Holden, Raymond. ‘The Iconic Symphony: Performing Beethoven’s Ninth Wagner’s Way.’ Musical Times 152 (2011): 314.
  11. Kania, Andrew. ‘The Heart of Classical Work-Performance.’ British Journal of Aesthetics 62 (2022): 12541. DOI: 10.1093/aesthj/ayab031
  12. Kania, Andrew. Philosophy of Western Music: A Contemporary Introduction. Routledge, 2020.
  13. Korstvedt, Benjamin M. Bruckner: Symphony No. 8. Cambridge: Cambridge University Press, 2000. DOI: 10.1017/CBO9780511605918
  14. McCaldin, Denis. ‘Mahler and Beethoven’s Ninth Symphony.’ Proceedings of the Royal Musical Association 107 (1981): 10110. DOI: 10.1093/jrma/107.1.101
  15. Puy, Nemesio G. C. ‘Contextualizing Platonism and Decontextualizing Aristotelianism in the Ontology of Music.’ Journal of Aesthetics and Art Criticism 78 (2020): 18396. DOI: 10.1111/jaac.12714
  16. Puy, Nemesio G. C. ‘Nested Types and Musical Versions: Replying to Davies’ Challenges.’ Journal of Aesthetics and Art Criticism 79 (2021): 25660. DOI: 10.1093/jaac/kpab012
  17. Puy, Nemesio G. C. ‘The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types.’ Journal of Aesthetics and Art Criticism 77 (2019): 24154. DOI: 10.1111/jaac.12651
  18. Wagner, Richard. ‘The Rendering of Beethoven’s Ninth Symphony.’ In Richard Wagner’s Prose Works, vol. 5, edited and translated by William Ashton Ellis, 22954. New York: Broude, 1966.
DOI: https://doi.org/10.33134/eeja.327 | Journal eISSN: 2571-0915
Language: English
Page range: 135 - 152
Submitted on: Feb 14, 2022
Accepted on: Jul 8, 2022
Published on: Sep 15, 2022
Published by: Helsinki University Press
In partnership with: Paradigm Publishing Services

© 2022 Nemesio G. C. Puy, published by Helsinki University Press
This work is licensed under the Creative Commons Attribution 4.0 License.