References
- Abath, André J. ‘Frustrating Absences.’ Disputatio 11 (2019): 45–62. DOI: 10.2478/disp-2019-0011
- Anderson, Erik. ‘Aesthetic Appreciation of Silence.’ Contemporary Aesthetics 18 (2020).
https://digitalcommons.risd.edu/liberalarts_contempaesthetics/vol18/iss1/15/ . - Batkin, Norton. ‘…A Presence of Absence…’ Journal of Aesthetic Education 24 (1990): 14–24. DOI: 10.2307/3332780
- Beardsley, Monroe. ‘What Is an Aesthetic Quality?’ Theoria 39 (1973): 50–70. DOI: 10.1111/j.1755-2567.1973.tb00630.x
- Booth, Wayne. The Rhetoric of Fiction. 2nd ed. Chicago: University of Chicago Press, 1983.
- Carroll, Noël. Beyond Aesthetics. Cambridge: Cambridge University Press, 2001.
- Cavedon-Taylor, Dan. ‘Touching Voids: On the Varieties of Absence Perception.’ Review of Philosophy and Psychology 8 (2017): 355–66. DOI: 10.1007/s13164-016-0302-7
- Dafoe, Taylor. ‘An Italian Artist Auctioned Off an “Invisible Sculpture” for $18,300. It’s Made Literally of Nothing.’ artnet, 3 June 2021.
https://news.artnet.com/art-world/italian-artist-auctioned-off-invisible-sculpture-18300-literally-made-nothing-1976181 . - Davies, Stephen. ‘Beardsley and the Autonomy of the Work of Art.’ Journal of Aesthetics and Art Criticism 63 (2005): 179–83. DOI: 10.1111/j.0021-8529.2005.00195.x
- Davies, Stephen. ‘John Cage’s 4’33”: Is It Music?’ Australasian Journal of Philosophy 75 (1997): 448–62. DOI: 10.1080/00048409712348031
- Davies, Stephen. Philosophical Perspectives on Art. Oxford: Oxford University Press, 2007.
- Dickie, George. Art and the Aesthetic. Ithaca, NY: Cornell University Press, 1974.
- Dodd, Julian. ‘What 4’33” Is.’ Australasian Journal of Philosophy 96 (2018): 629–41.
- Džalto, Davor. ‘Art: A Brief History of Absence.’ Filozofija i Društvo 26 (2015): 652–76. DOI: 10.2298/FID1503652D
- Farennikova, Anna. ‘Seeing Absence.’ Philosophical Studies 166 (2013): 429–54. DOI: 10.1007/s11098-012-0045-y
- Fish, Stanley. Is There a Text in This Class? Cambridge, MA: Harvard University Press, 1980.
- Gaut, Berys. ‘Interpreting the Arts: The Patchwork Theory.’ Journal of Aesthetics and Art Criticism 51 (1993): 597–609. DOI: 10.2307/431892
- Goldman, Alan. ‘Interpreting Art and Literature.’ Journal of Aesthetics and Art Criticism 48 (1990): 205–14. DOI: 10.1111/1540_6245.jaac48.3.0205
- Goldman, Alan. Philosophy and the Novel. Oxford: Oxford University Press, 2013. DOI: 10.1017/S2753906700003879
- Hirsch, E. D. Validity in Interpretation. New Haven, CT: Yale University Press, 1967. DOI: 10.5040/9781350928510
- Hommen, David. ‘Absences as Latent Potentialities.’ Philosophical Papers 45 (2016): 401–35. DOI: 10.1080/05568641.2016.1245829
- Hume, David.
‘On the Standard of Taste.’ 1757 . In Essays: Moral, Political, and Literary, 226–49. Indianapolis: Liberty Fund, 1987. - Huron, David. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, MA: MIT Press, 2006. DOI: 10.7551/mitpress/6575.001.0001
- Judge, Jenny, and Nanay, Bence.
‘Expectations in Music.’ In Oxford Handbook of Music and Philosophy, edited by Jerrold Levinson, 997–1018. Oxford: Oxford University Press, 2021. DOI: 10.1093/oxfordhb/9780199367313.013.55 - Livingston, Paisley. Art and Intention. Oxford: Oxford University Press, 2005. DOI: 10.1093/0199278067.001.0001
- Martin, Jean-Rémy, and Dokic, Jérôme. ‘Seeing Absence or Absence of Seeing?’ Thought 2 (2013): 117–25. DOI: 10.1002/tht3.72
- Negretto, Elisa. ‘Expectation and Anticipation as Key Elements for the Constitution of Meaning in Music.’ Teorema 31 (2012): 149–63.
- Pettersson, Mikael. ‘Capturing Shadows: On Photography, Causation, and Absences.’ Australasian Journal of Philosophy 95 (2017): 256–69. DOI: 10.1080/00048402.2016.1197957
- Pettersson, Mikael. ‘Seeing What Is Not There: Pictorial Experience, Imagination and Non-localization.’ British Journal of Aesthetics 51 (2011): 279–94. DOI: 10.1093/aesthj/ayr014
- Robinson, Jenefer. ‘Style and Personality in the Literary Work.’ Philosophical Review 94 (1985): 227–47. DOI: 10.2307/2185429
- Stecker, Robert. Interpretation and Construction: Art, Speech, and the Law. Oxford: Blackwell, 2003. DOI: 10.1002/9780470776186
- Stock, Kathleen. Only Imagine: Fiction, Interpretation, and Imagination. Oxford: Oxford University Press, 2017. DOI: 10.1093/oso/9780198798347.001.0001
- Tolhurst, William. ‘On What a Test Is and How It Means.’ British Journal of Aesthetics 19 (1979): 3–14. DOI: 10.1093/bjaesthetics/19.1.3
- Wimsatt, William, and Beardsley, Monroe. ‘The Intentional Fallacy.’ Sewanee Review 54 (1946): 468–88.
- Wollheim, Richard. Painting as an Art. Princeton, NJ: Princeton University Press, 1987.
DOI: https://doi.org/10.33134/eeja.315 | Journal eISSN: 2571-0915
Language: English
Page range: 162 - 175
Submitted on: Dec 31, 2021
Accepted on: Jan 8, 2023
Published on: Sep 14, 2023
Published by: Helsinki University Press
In partnership with: Paradigm Publishing Services
Keywords:
© 2023 David Fenner, published by Helsinki University Press
This work is licensed under the Creative Commons Attribution 4.0 License.