
Feeling the Aesthetic: A Pluralist Sentimentalist Theory of Aesthetic Experience
By: Rasmus Rosenberg Larsen and David Sackris
References
- Beardsley, Monroe. Aesthetics from Classical Greece to the Present: A Short History. Tuscaloosa: University of Alabama Press, 1975.
- Broadie, Alexander.
‘Scottish Philosophy in the 18th Century.’ In Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta,winter 2017 ed. Stanford University, 1997–.https://plato.stanford.edu/archives/win2017/entries/scottish-18th/ . - Carroll, Noël. ‘Defending the Content Approach to Aesthetic Experience.’ Metaphilosophy 46 (2015): 171–88. DOI: 10.1111/meta.12131
- Carroll, Noël. ‘Recent Approaches to Aesthetic Experience.’ Journal of Aesthetics and Art Criticism 70 (2012): 165–77. DOI: 10.1111/j.1540-6245.2012.01509.x
- Coleridge, Samuel Taylor. The Poems of Samuel Taylor Coleridge. Oxford: Oxford University Press, 1921.
- Cowie, Roddy. ‘Beauty Is Felt, Not Calculated; and It Does Not Fit in Boxes.’ In Schellekens and Goldie, Aesthetic Mind, 89–105. DOI: 10.1093/acprof:oso/9780199691517.003.0007
- Cutting, James.
‘The Mere Exposure Effect and Aesthetic Preference.’ In New Directions in Aesthetics, Creativity, and Arts, edited by Paul Locher, Colin Martindale, and Leonid Dorfman, 33–46. Amityville, NY: Baywood, 2006. DOI: 10.4324/9781315224084-4 - Danto, Arthur C. The Abuse of Beauty: Aesthetics and the Concept of Art. Chicago: Carus, 2003.
- Dutton, Denis. The Art Instinct: Beauty, Pleasure, and Human Evolution. London: Bloomsbury, 2009.
- Ellsworth, Phoebe. 2013. ‘Appraisal Theory: Old and New Questions.’ Emotion Review 5 (2013): 125–31. DOI: 10.1177/1754073912463617
- Fingerhut, Joerg, and Jesse Prinz. ‘Wonder, Appreciation, and the Value of Art.’ Progress in Brain Research 237 (2018): 107–28. DOI: 10.1016/bs.pbr.2018.03.004
- Furnham, Adrian, and John Walker. ‘Personality and Judgements of Abstract, Pop Art, and Representational Paintings.’ European Journal of Personality 15 (2001): 57–72. DOI: 10.1002/per.340
- Gracyk, Theodore.
‘Hume’s Aesthetics.’ In Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta,summer 2016 ed. Stanford University, 1997–.https://plato.stanford.edu/archives/sum2016/entries/hume-aesthetics . - Hjort, Mette, and Sue Laver, eds. Emotion and the Arts. New York: Oxford University Press, 1997.
- Iseminger, Gary.
‘The Aesthetic State of Mind.’ In Contemporary Debates in Aesthetics and the Philosophy of Art, edited by Matthew Kieran, 98–110. Oxford: Blackwell, 2006. - Iseminger, Gary.
‘Experiential Theories of Aesthetic Value.’ In Aesthetic Experience, edited by Richard Shusterman and Adele Tomlin, 45–57. London: Routledge, 2008. - Isen, Alice M., and Thomas E. Shalker. ‘The Effect of Feeling State on Evaluation of Positive, Neutral, and Negative Stimuli: When You “Accentuate the Positive”, Do You “Eliminate the Negative”?’ Social Psychology Quarterly 45 (1982): 58–63. DOI: 10.2307/3033676
- Jacobsen, Thomas, Ricarda I. Schubotz, Lea Höfel, and D. Yves von Cramon. ‘Brain Correlates of Aesthetic Judgment of Beauty.’ Neuroimage 29 (2006): 276–85. DOI: 10.1016/j.neuroimage.2005.07.010
- Kawabata, Hideaki, and Semir Zeki. 2004. ‘Neural Correlates of Beauty.’ Journal of Neurophysiology 91 (2004): 1699–1705. DOI: 10.1152/jn.00696.2003
- Korsmeyer, Carolyn. Savoring Disgust: The Foul and the Fair in Aesthetics. New York: Oxford University Press, 2011. DOI: 10.1093/acprof:oso/9780199756940.001.0001
- Levinson, Jerrold, ed. Suffering Art Gladly: The Paradox of Negative Emotions in Art. London: Palgrave Macmillan, 2013. DOI: 10.1057/9781137313713
- Matravers, Derek. Art and Emotion. New York: Oxford University Press, 1998.
- Mealey, Linda, and Peter Theis. ‘The Relationship between Mood and Preferences among Natural Landscapes: An Evolutionary Perspective.’ Ethology and Sociobiology 16 (1995): 247–56. DOI: 10.1016/0162-3095(95)00035-J
- Mothersill, Mary. Beauty Restored. Oxford: Clarendon Press, 1984.
- Prinz, Jesse J. ‘Emotion and Aesthetic Value.’ In Schellekens and Goldie, Aesthetic Mind, 71–88. Abbreviated as EAV. DOI: 10.1093/acprof:oso/9780199691517.003.0006
- Prinz, Jesse J. The Emotional Construction of Morals. New York: Oxford University Press, 2007.
- Prinz, Jesse J. Gut Reactions: A Perceptual Theory of Emotion. New York: Oxford University Press, 2004.
- Prinz, Jesse J. ‘How Wonder Works.’ Aeon Magazine. 21 June 2013.
https://aeon.co/essays/why-wonder-is-the-most-human-of-all-emotions . - Prinz, Jesse J.
‘Really Bad Taste.’ In Knowing Art: Essays in Aesthetics and Epistemology, edited by Matthew Kieran and Dominic McIver Lopes, 95–107. Dordrecht: Springer, 2007. DOI: 10.1007/978-1-4020-5265-1_7 - Prinz, Jesse J.
‘Seeing with Feeling.’ In Aesthetics and the Sciences of Mind, edited by Gregory Currie, Matthew Kieran, Aaron Meskin, and Jon Robson, 143–58. New York: Oxford University Press, 2014. - Richards, I. A. Principles of Literary Criticism. New York: Routledge, 1924. DOI: 10.4324/9780203278901
- Robinson, Jenefer. Deeper than Reason: Emotion and Its Role in Literature, Music, and Art. Oxford: Clarendon Press, 2005. DOI: 10.1093/0199263655.001.0001
- Rolls, Edmund T. ‘The Origins of Aesthetics: A Neurobiological Basis for Affective Feelings and Aesthetics.’ In Schellekens and Goldie, Aesthetic Mind, 116–65. DOI: 10.1093/acprof:oso/9780199691517.003.0009
- Rosenbloom, Tova. ‘Color Preferences of High and Low Sensation Seekers.’ Creativity Research Journal 18 (2006): 229–35. DOI: 10.1207/s15326934crj1802_8
- Sackris, David. ‘Category Independent Aesthetic Experience: The Case of Wine.’ Journal of Value Inquiry 47 (2013): 111–20. DOI: 10.1007/s10790-013-9374-0
- Sackris, David and Rasmus R. Larsen. 2020. ‘A Consideration of Carroll’s Content Theory.’ Journal of Value Inquiry 54 (2020): 245–55. DOI: 10.1007/s10790-019-09693-6
- Schellekens, Elisabeth, and Peter Goldie, eds. The Aesthetic Mind: Philosophy and Psychology. New York: Oxford University Press, 2011.
- Shelley, James.
‘18th Century British Aesthetics.’ In Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta,fall 2018 ed. Stanford University, 1997–.https://plato.stanford.edu/archives/fall2018/entries/aesthetics-18th-british/ . - Shiner, Larry. The Invention of Art: A Cultural History. Chicago: University of Chicago Press, 2003.
- Sibley, Frank. ‘Aesthetic Concepts.’ Philosophical Review 68 (1959): 421–50. DOI: 10.2307/2182490
- Walton, Kendall, L. ‘Categories of Art.’ Philosophical Review 79 (1970): 334–67. DOI: 10.2307/2183933
- Zangwill, Nick. ‘Against Emotion: Hanslick Was Right about Music.’ British Journal of Aesthetics 44 (2004): 29–43. DOI: 10.1093/bjaesthetics/44.1.29
DOI: https://doi.org/10.33134/eeja.212 | Journal eISSN: 2571-0915
Language: English
Page range: 116 - 134
Submitted on: Nov 10, 2018
Accepted on: Jun 10, 2020
Published on: Sep 15, 2020
Published by: Helsinki University Press
In partnership with: Paradigm Publishing Services
Keywords:
© 2020 Rasmus Rosenberg Larsen, David Sackris, published by Helsinki University Press
This work is licensed under the Creative Commons Attribution 4.0 License.