Have a personal or library account? Click to login
Film Genres after #MeToo: Promising Young Woman as a Rape-Revenge Film and a Rom-Com Cover

Film Genres after #MeToo: Promising Young Woman as a Rape-Revenge Film and a Rom-Com

Open Access
|Jun 2023

References

  1. Bastién, Angelica Jade. “Emerald Fennell Explains Herself.” Vulture 21 Jan. 2021. Web. 8 Aug. 2022.
  2. Blowup. Dir. Michelangelo Antonioni. Metro-Goldwyn-Myer, 1966. Film.
  3. Bradley, Jo. “ʽPromising Young Woman’ and the Fallacy of the “Nice Guy”.” Screen Queens 25 Feb. 2021. Web. 8 Aug. 2022.
  4. Buchwald, Emilie, et al, eds. Transforming a Rape Culture. Minneapolis: Milkweed Editions, 1993. Print.
  5. Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: JHU Press, 2016. Print.
  6. Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modern Horror Film-Updated Edition. Vol. 15. Princeton: Princeton UP, 2015. Print.
  7. Cobb, Shelley, and Tanya Horeck. “Post Weinstein: Gendered Power and Harassment in the Media Industries.” Feminist Media Studies 18.3 (2018): 489–91. Print.
  8. Deleyto, Celestino. The Secret Life of Romantic Comedy. Manchester: Manchester UP, 2019. Print.
  9. Ebert, Roger. “I Spit on Your Grave.” RogerEbert.com 16 July 1980. Web. 8 Aug. 2022.
  10. Filippo, Maria San. After “Happily Ever After”: Romantic Comedy in the Post-Romantic Age. Detroit: Wayne State UP, 2021. Print.
  11. Guilluy, Alice. “Guilty Pleasures”: European Audiences and Contemporary Hollywood Romantic Comedy. London: Bloomsbury Publishing, 2021. Print.
  12. Henry, Claire. Revisionist Rape-Revenge: Redefining a Film Genre. New York: Springer, 2014. Print.
  13. Henry, Lisa. From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy. New York: HarperCollins Publishers, 2022. Print.
  14. Horton, Adrian. “How Promising Young Woman Shows the Limits of #MeToo Revenge.” The Guardian 5 Jan. 2021. Web. 13 Mar. 2023.
  15. I Spit on Your Grave. Dir. Meir Zarchi. CineTel Films, 1978.
  16. Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke UP, 1991. Print.
  17. Kaklamanidou, Betty. Genre, Gender and the Effects of Neoliberalism: The New Millennium Hollywood Rom Com. London: Routledge, 2013. Print.
  18. Kaling, Mindy. “Flick Chicks: A Guide to Women in the Movies.” The New Yorker 3 Oct. 2011. Web. 8 Aug. 2022.
  19. LaChance, Naomi. “Media Continues to Refer to Brock Turner as ‘Stanford Swimmer’ Rather than a Rapist.” The Intercept 2 Sep. 2016. Web. 8 Aug. 2022.
  20. Lehman, Peter. “‘Don’t Blame This on a Girl’: Female Rape-Revenge Films.” Screening the Male: Exploring Masculinities in Hollywood Cinema. Eds. Steven Cohan and Ina Rae Hark, 103–17. London: Routledge, 2014. Print.
  21. Leys, Ruth. From Guilt to Shame: Auschwitz and After. Princeton: Princeton UP, 2009. Print.
  22. McCaughey, Martha, and Neal King. Reel Knockouts: Violent Women in Film. Austin: U of Texas P, 2001. Print.
  23. McDonald, Tamar Jeffers. Romantic Comedy: Boy Meets Girl Meets Genre. New York: Columbia UP, 2007. Print.
  24. Milano, Alyssa [@Alyssa_Milano]. “If you’ve been sexually harassed or assaulted write ‘me too’ as a reply to this tweet.” Twitter. 15 Oct. 2017. Web. 8 Aug. 2022.
  25. Mitchell, Wendy. “ʽPromising Young Woman’ director Emerald Fennell breaks down three standout scenes.” Screen Daily 21 Apr. 2021. Web. 8 Aug. 2022.
  26. Mortimer, Claire. Romantic Comedy. London: Routledge, 2010. Print.
  27. Mulvey, Laura. Visual Pleasure and Narrative Cinema. London: Palgrave Macmillan, 1989. Print.
  28. Munro, Ealasaid. ‘Feminism: A Fourth Wave?’ Political Insight 4.2 (2013): 22–25. SAGE Journals.Web. 14 Dec. 2022.
  29. O. Réti, Zsófia. “Filmes műfajok a #MeToo után: az Ígéretes fiatal nő mint bosszúfilm vagy rom-com?” [Film Genres after #MeToo: Promising Young Woman as a Rape-Revenge Film or a Rom-Com?] Debreceni Szemle 3 (2022): 343–50.
  30. Rentschler, Carrie A. “Rape Culture and the Feminist Politics of Social Media.” Girlhood Studies 7.1 (2014): 65–82. Print.
  31. Promising Young Woman. Dir. Emerald Fennel. FilmNation Entertainment, 2020. Film.
  32. Spallacci, Amanda. “Representing Rape Trauma in Film: Moving Beyond the Event.” Arts 8.1 (2019). Web. 8 Aug. 2022.
  33. The King and I. Dir. Walter Lang. 20th Century Fox, 1956. Film.
  34. Verhoeven, Deb, Bronwyn Coate, and Vejune Zemaityte. “Re-distributing Gender in the Global Film Industry: Beyond# MeToo and# MeThree.” Media Industries Journal 6.1 (2019). Web. 8 Aug. 2022.
  35. Wittmer, Carrie. “How ‘Promising Young Woman’ Weaponizes Hollywood’s Nice Guys.” The Ringer 21 Jan. 2021. Web. 8 Aug. 2022.
  36. York, Caitlin A. “Fennell’s Promising Young Woman and Furious Women in Film.” Film and Philosophy 31 Oct. 2021. Web. 8 Aug. 2022.
  37. Young, Alison. “‘Don’t You Fucking Look at Me!’ Rape and Cinematic Revenge.” In The Scene of Violence: Cinema, Crime, Affect, 43–73. London: Routledge, 2014. Print.
DOI: https://doi.org/10.30608/hjeas/2023/29/1/10 | Journal eISSN: 2732-0421 | Journal ISSN: 1218-7364
Language: English
Page range: 189 - 206
Published on: Jun 28, 2023
Published by: University of Debrecen
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Zsófia O. Réti, published by University of Debrecen
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.