Have a personal or library account? Click to login
Trauma Drama: Victims’ Traumatic Memories in Kay Adshead’s the Bogus Woman (2001) and Timberlake Wertenbaker’s Credible Witness (2001). Cover

Trauma Drama: Victims’ Traumatic Memories in Kay Adshead’s the Bogus Woman (2001) and Timberlake Wertenbaker’s Credible Witness (2001).

Gender Studies
Volume 11 (2012): Issue Supplement (December 2012)
By: Hildegard Klein  
Open Access
|Dec 2012

References

  1. Adshead, Kay. The Bogus Woman. London: Oberon Modern Playwrights, 2001.
    Search in Google Scholar
  2. Aston, Elaine. “The ‘Bogus Woman’: Feminism and Asylum Theatre”. Modern Drama, 46:1 (Spring 2003): 5.
    Search in Google Scholar
  3. Billington, Michael. Guardian, Theatre Record, 21.4 (2001): 184.
    Search in Google Scholar
  4. Felman, Shoshana and Dori Laub. Testimony. Crises of Witnessing in Literature, Psychoanalysis, and History. New York and London: Routledge, 1992.
    Search in Google Scholar
  5. Grehan, Helena. Performance, Ethics and Spectatorship in a Global Age. Houndmills, Basingstoke: Palgrave Macmillan, 2009.
    Search in Google Scholar
  6. Halliburton, Rachel. Evening Standard, Theatre Record, 21.3 (2001): 137.
    Search in Google Scholar
  7. Kritzer, Amelia Howe. Political Theatre in Post-Thatcher Britain. New Writing: 1995-2005.
    Search in Google Scholar
  8. Houndmills, Basingstoke: Palgrave Macmillan, 2008.
    Search in Google Scholar
  9. Laplanche, Jean and J.-B. Pontalis. The Language of Psychoanalysis. Trans. Donald Nicholson-Smith. London: The Hogarth Press and the Institute of Psychoanalysis, 1973.
    Search in Google Scholar
  10. -----------. Serial Killers: Death and Life in America’s Wound Culture. London: Routledge,1998.
    Search in Google Scholar
  11. Luckhurst, Roger. “Traumaculture”. New Formations 50 (2003): 28-47.
    Search in Google Scholar
  12. Oliver, Kelly. Witnessing. Beyond Recognition. Minneapolis: University of Minnesota Press, 2001.
    Search in Google Scholar
  13. Seltzer, Mark. “Wound Culture: Trauma in the Pathological Public Sphere”. October 80 (1997): 3-26.
    Search in Google Scholar
  14. Sierz, Aleks. Rewriting the Nation. British Theatre Today. London: Methuen, 2011.
    Search in Google Scholar
  15. Wald, Christina. Hysteria, Trauma and Melancholia. Performative Maladies in Contemporary Anglophone Drama. Houndmills, Basingstoke: Palgrave Macmillan, 2007.
    Search in Google Scholar
  16. Wertenbaker, Timberlake. Plays Two: The Break of Day. After Darwin. Credible Witness. The Ash Girl. Dianeira. London: Faber and Faber, 2002.
    Search in Google Scholar
  17. Wiesel, Elie. “The Holocaust as a Literary Inspiration”. Dimensions of the Holocaust. Evanston: Northwestern University Press, 1977.
    Search in Google Scholar
  18. Woddis, Carole. Herald, Theatre Record. 21.3 (2001): 137.
    Search in Google Scholar
DOI: https://doi.org/10.2478/v10320-012-0006-9 | Journal eISSN: 2286-0134 | Journal ISSN: 1583-980X
Journal RSS Feed
Language: English
Page range: 62 - 73
Published on: Dec 28, 2012
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Keywords:
Adshead,
detention centres,
persecution,
testimony,
trauma/asylum drama,
Wertenbaker,
witnesses.
Related subjects:
Social sciences,
Sociology,
Sociology, other

© 2012 Hildegard Klein, published by West University of Timisoara
This work is licensed under the Creative Commons License.

Previous articleVolume 11 (2012): Issue Supplement (December 2012)Next article