Educational Possibilities of the Project Colour Visualization of Music
By: Bojan Klemenc, Peter Ciuha and Franc Solina
Open Access
|Jul 2011
References
- Balsach, L. (1997). Application of virtual pitch theory in music analysis., 26(3): 244-265. DOI: 10.1080/09298219708570729
- Benson, D. (20006).. Cambridge University Press.
- Bergstrom, T., Karahalios, K. & Hart, J. C. (20007). Isochords: Visualizing structure in music, GI'07:, 297-304. DOI: 10.1145/1268517.1268565
- Chew, E. (20000).. PhD thesis, Massachusetts Institute of Technology, Cambridge, MA.
- Ciuha, P. (20001). peter ciuha. the womb. statement,. International Centre of Graphic Arts, Ljubljana, Slovenia, 2001, 99-102.
- Ciuha, P., Klemenc, B. & Solina, F. (20010). Visualization of concurrent tones in music with colours,, Firenze, Italy, 25-29 October 2010, 1677-1680. DOI: 10.1145/1873951.1874320
- Collopy, F. (20009). Playing (with) colour., 2(3): 62-67.
- Gatzsche, G., Mehnert, M., Gatzsche, D. & Brandenburg, K. (20007). A symmetry based approach for musical tonality analysis,, Vienna, 2007, 207-210.
- Huron, D. (20008). Asynchronous preparation of tonally fused intervals in polyphonic music., 3(1): 11-21.
- Meyer, L. B. (1956).. University of Chicago Press.
- Parncutt, R. (1989)., chapter 2. Springer-Verlag.
- Tramo, M. J., Cariani, P. A. & Delgutte, B. (20001). Temporal coding of tonal harmony in the auditory nerve. Technical report, Harvard Medical School.
- Wells, A. (1980). Music and visual color: A proposed correlation., 13: 101-107.
Language: English
Page range: 67 - 75
Published on: Jul 1, 2011
Published by: University of Maribor
In partnership with: Paradigm Publishing Services
Keywords:
Related subjects:
© 2011 Bojan Klemenc, Peter Ciuha, Franc Solina, published by University of Maribor
This work is licensed under the Creative Commons License.