Iconografie Și Iconologie În Cultura Religioasă Vizuală A Israelului Antic (abordări metodologice și terminologice) Zei Și Idoli (III.1)

Grozea, Lucian

doi:10.2478/saec-2025-0025

Abstract

This article, part of a broader study on the visual culture of Ancient Israel, seeks to define the concept of image /representation from several epistemological perspectives, including art history, cultural philosophy, and visual communication. It also highlights Erwin Panofsky’s major contribution to research methodologies through the development of the complementary disciplines of iconography and iconology, which offer a semiotic framework for decoding artistic works often shaped by symbolic forms and meanings.

References

Arendt, Hannah, Condiția umană, traducere de Claudiu Vereș și Gabriel Chindea, Editurs Idea Design & Print Casa Cărții de Știință, Cluj, 2007.
Search in Google Scholar Back to article
Belting, Hans, Image, Medium, Body: A New Approach to Iconology, în Critical Inquiry, 31, 2, 2005, Chicago, p. 302-319.
Search in Google Scholar Back to article
Bergson, Henri, Evoluția creatoare, traducere și studiu introductiv Vasile Sporici, Editura Institutului European, 1998.
Search in Google Scholar Back to article
Bryson, Norman, Philostratus and the Imaginary Museum, în Vision and Textuality, edited by Stephen Melville and Bill Readings, Duke University Press, Durham, 1995, p. 174-194.
Search in Google Scholar Back to article
Carile, Maria, Cristina; Nagelsmit, Eelco, Iconography, Iconology, I, în Encyclopedia of Bible and Its Reception, De Gruyter, Berlin-Boston, 2012, col. 777-783.
Search in Google Scholar Back to article
Cassirer, Ernst, Eseu despre om. O introducere în filosofia culturii umane, traducere de Constantin Coșman, Humanitas, 1994.
Search in Google Scholar Back to article
Di Furia, J., Arthur, Melion, S., Walter, Introduction: Ekphrastic Image- Making, în Ekphrastic Image-Making in Early Modern Europe, 1500-1700, edited by Arthur J. DiFuria, Walter S. Melion, Brill, Leiden-Boston, 2022, p. 1-65.
Search in Google Scholar Back to article
Foucault, Michel, Order of Things. An archaeology of the human sciences, Rout-ledge, London and New York, 2002.
Search in Google Scholar Back to article
Frisch, Max, Homo faber, Editura Curtea veche, București, 2022.
Search in Google Scholar Back to article
Gombrich, H., Ernst, Gombrich on the Renaissance. Volume 2: Symbolic Images, Phaidon Press Limited, London, 1993.
Search in Google Scholar Back to article
Hatt, Michael, Klonk, Charlotte, Art History. A critical introduction to its methods, Manchester University Press, Manchester and New York, 1988.
Search in Google Scholar Back to article
Huizinga, Johan, Homo ludens. Încercare de determinare a elementului ludic alculturii, traducere de H. R. Radian, Humanitas, 2018.
Search in Google Scholar Back to article
Hulster de, J., Izaak, Iconographic Exegesis and Third Isaiah, Mohr Siebeck, Tübingen, 2009.
Search in Google Scholar Back to article
Jonas, Hans, Homo Pictor and the Differentia of Man, în Social Research, No. 2, 1962, The Johns Hopkins University Press, p. 201-220.
Search in Google Scholar Back to article
Le Luel, Nathalie, „Ripa”, în Dictionnaire critique d’iconographie occidentale, Xavier Barral i Altet (ed.), Presses Universitaires de Rennes, 2003, p. 745-747.
Search in Google Scholar Back to article
Mahalel, Anat, Tzur, The visual image and the Denkbild: Sigmund Freud and Walter Benjamin on history and remembrance, în The International Journal of Psychoanalysis, vol. 104, No.3, 2023, Taylor & Francis, p. 527-545.
Search in Google Scholar Back to article
Mitchell, W. J., Thomas, Iconology: image, text, ideology, The University of Chicago Press, London, 1986.
Search in Google Scholar Back to article
Panofsky, Erwin, Meaning in the Visual Arts, Doubleday Anchor Books, Garden City, N.Y., 1955.
Search in Google Scholar Back to article
Panofsky, Erwin, Studies in Iconology. Humanistic Themes. In the Art of the Renaissance, Harper Torchbooks, The Academy Library, Harper & Row, Publishers, New York, Evanston, and London, 1962.
Search in Google Scholar Back to article
Philostratus, Imagines, Callistratus, Descriptiones, with an English Translation, by Arthur Fairbanks, London-New York, 1931.
Search in Google Scholar Back to article
Riegl, Alois, Die spätrömische Kunstindustrie, Staatsdruckerei, Wien, 1927.
Search in Google Scholar Back to article
Scheller, Max, Cognition and Work. A A Study concernig the Value and Limits of Pragmatic Motifs in the Cognition of the World, translated by Zachary Davis, Northwestern University Press Evanston, Illinois, 2021.
Search in Google Scholar Back to article
Stănese, Radu, Corpus Media. Gimnosofii ca propedeutică pentru o antropologiea nudului, Editura Eikon, București, 2017.
Search in Google Scholar Back to article
Straten Van, Roelof, An Introduction to Iconography, Gordon and Breach Science Publisher, 1993.
Search in Google Scholar Back to article
Verbovsek, Alexandra, Reception and Perception, în A Companion to Ancient Egyptian Art, edited by Melinda K. Hartwig, Willey Blackwell, 2015, p. 141-154.
Search in Google Scholar Back to article
Walsem van, René, Iconography of Old Kingdom Elite Tombs: Analysis & Interpretation, Theoretical and Methodological Aspects, Leiden-Leuven, Ex Oriente Lux, Peeters, 2005.
Search in Google Scholar Back to article
https://en.wikipedia.org/wiki/Confronted_animals
Search in Google Scholar Back to article
https://www.thearchaeologist.org/blog/the-global-motif-of-confronted-animals-diffusion-or-independent-development).
Search in Google Scholar Back to article

Iconografie Și Iconologie În Cultura Religioasă Vizuală A Israelului Antic (abordări metodologice și terminologice) Zei Și Idoli (III.1)

Abstract

Paradigm

My account