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Attachment and Imagination in Coptic Christians` Religious and Aesthetic Experiences Cover

Attachment and Imagination in Coptic Christians` Religious and Aesthetic Experiences

Open Access
|Dec 2023

Abstract

Coptic Orthodox iconography is a living tradition from a community that is underrepresented in the psychology of religion. It offers a prism for empirical investigation of religious aesthetic experiences and psychosocial factors that colour this class of experiences. This article reports a mixed-methods study focusing on attachment and imagination in experiences with Coptic icons. We qualitatively explored the significance of iconography within the community, with expert interviews revealing a dual function of the icon in public and private prayer lives. Home interviews with a subsample of Copts presenting secure attachment tendencies (n = 15) explored personal relationships to icons. These revealed themes related to physical space, narrative identity, and communication to the Divine. A cross-sectional survey (N = 88) was treated with principal components analyses, a correlation matrix, and two-way ANOVA. Participants endorsing secure attachments tended towards more intensity and security in relation to their religion and icons. In contrast, insecurely attached participants had less knowledge of icons and presented with expressive imagination, or a sensitivity to metaphor and fantasy. Developed in consultation with religious community members, this study presents new insights on attachment, imagination, religiosity, and cultural belonging.

DOI: https://doi.org/10.2478/saec-2023-0023 | Journal eISSN: 2601-1182 | Journal ISSN: 1221-2245
Language: English, Romanian, German, French
Page range: 109 - 132
Published on: Dec 15, 2023
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Monica Boulis, Jacob Lang, Despina Stamatopoulou, Gerald C. Cupchik, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.