Abstract
To be or not to be, the famous monologue that is very present in the actors’ repertoires, has suffered many changes overtime which either gave us extraordinary moments or it was simply transformed into dialogue, it was fragmented, moved into different acts other than where the author put it. All these changes were based on a directorial vision. In the television theater this scene (and even the whole show) has a different impact due to filming, editing and directorial vision. So the same show that has been watched at the theater it can be different on a television theater. In the performance hall we can watch the show as a whole, we have the chance to focus on a specific actor, on a specific image, which is something that we can lose in the television theater. In the filmed show we only see which is on the tiny screen. From this perspective, I’ve watched the famous monologue, To be or not to be, in some shows that are considered landmarks for this text only to watch it afterwards when has been taken over and edited by television.