11. “Seeing Is Believing”: The Importance of Visual Factors in Music Performance Assessment
References
- 1. Adams, G. (1978). Racial Membership and Physical Attractiveness Effects on Preschool Teachers’ Expectations. Child Study Journal, 8, 29-41
- 2. Cann, A., Siegfried, W., & Pearce, L. (1981). Forced Attention to Specific Applicant Qualifications: Impact on Physical Attractiveness and Sex of Applicant Bias. Personnel Psychology, 34, 65-7510.1111/j.1744-6570.1981.tb02178.x
- 3. Davidson, J. W. (1994). Which Areas of a Pianist’s Body Convey Information about Expressive Intention to an Audience? Journal of Human Movement Studies, 6, 279-301
- 4. Davidson, J. W. (2007). Qualitative Insights into the Use of Expressive Body Movement in Solo Piano Performance: A Case Study Approach. Psychology of Music, 35(3), 381-40110.1177/0305735607072652
- 5. Eagly, E. H., Ashmore, R. D., Makhijani, M. G., & Longo, L. C. (1991). What Is Beautiful Is Good, But…: A Meta-Analytic Review of Research on the Physical Attractiveness Stereotype. Psychological Bulletin, 110, 109-12810.1037/0033-2909.110.1.109
- 6. Elliott, C. A. (1995/1996). Race and Gender as Factors in Judgments of Musical Performance. Bulletin of the Council for Research in Music Education, 127, 50-56
- 7. Forbes, G. W. (1994). Evaluative Music Festivals and Contests – Are They Fair? Update: Applications of Research in Music Education, 1, 16-2010.1177/875512339401200203
- 8. Gillespie, R. (1997). Ratings of Violin and Viola Vibrato Performance in Audio-Only and Audiovisual Presentations. Journal of Research in Music Education, 45(2), 212-22010.2307/3345581
- 9. Griffiths, N. K. (2009). “Posh Music Should Equal Posh Dress”: An Investigation into the Concert Dress and Physical Appearance of Female Soloists. Psychology of Music, 1-1910.1177/0305735608100372
- 10. Juchniewicz, J. (2008). The Influence of Physical Movement on the Perception of Musical Performance. Psychology of Music, 36(4), 417-42710.1177/0305735607086046
- 11. Lychner, J. A. (2008). A Comparison of Non-Musicians’ and Musicians’ Aesthetic Response to Music Experienced with and without Video. International Journal of Music Education, 26(1), 21-3210.1177/0255761407085647
- 12. McCray, J. (1993). Effects of Listeners’ and Performers’ Race on Music Preferences. Journal of Research in Music Education, 41(3), 200-21110.2307/3345325
- 13. Radocy, R. E. (1989). On Quantifying the Uncountable in Music Behavior. Bulletin of the Council for Research in Music Education, 88, 22-31
- 14. Ryan, C., & Costa-Giomi, E. (2004). Attractiveness Bias in the Evaluation of Young Pianists’ Performances. Journal of Research in Music Education, 52(2), 141-15410.2307/3345436
- 15. Shahani, C., Dipboye, R., & Gehrlein, T. (1993). Attractiveness Bias in the Interview: Exploring the Boudaries of an Effect. Basic and Applied Social Psychology, 14, 317-32810.1207/s15324834basp1403_5
- 16. Wapnick, J., Mazza, J. K., & Darrow, A. A. (1998). Effects of Performer Attractiveness, Stage Behaviour, and Dress on Violin Performance Evaluation. Journal of Research in Music Education, 46(4), 510-52110.2307/3345347
- 17. Wapnick, J., Mazza, J. K., & Darrow, A. A. (2000). Effects of Performer Attractiveness, Stage Behaviour, and Dress on Children’s Piano Performances. Journal of Research in Music Education, 48(4), 323-33610.2307/3345367
- 18. Wapnick, J., Ryan, C., Lacaille, N., & Darrow, A. A. (2004). Effects of Selected Variables on Musicians’ Ratings of High-Level Piano Performances. International Journal of Music Education, 22(1), 7-2010.1177/0255761404042371
DOI: https://doi.org/10.2478/rae-2020-0039 | Journal eISSN: 2501-238X
Language: English
Page range: 355 - 360
Published on: May 8, 2020
Published by: Sciendo
In partnership with: Paradigm Publishing Services
Publication frequency: 2 times per year
Keywords:
Related subjects:
© 2020 Dorina Geta Iușcă, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.