Abstract
Creating stylistic unity within a theatre play is more than just a complex process. The original interpretation of the language forms, specific to each artist that becomes part of this creative act, lies within the final aesthetic product. This article starts by analysing the concept of form and movement as a result of syncretism on various levels, from style and movement, to expression and feelings. To achieve this, the author describes the aesthethics of form emphasising the meaning of stylistic unity in achieving the artistic vision of a show. The paper defines compositional laws and theatrical methods that make the muppet play become a harmonic visual ensemble and stylistic unity. Some of these are: stage props and background; the kinetic criterion of moving forms; the ergonomic criterion of forms in space; the criterion of materiality - in creating the clothing and the costume design.