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Urban Theatricalities, A Communicational Claim. Reading of the Scenic Performances of the City of Jijel (Algeria)

Open Access
|Jun 2021

Figures & Tables

Fig. 1

Situation of spatial diversity zones (by category) and the selected sites. Multi-criteria evaluation grid (criteria and scale) and results of the selected sites.Source: own study.
Situation of spatial diversity zones (by category) and the selected sites. Multi-criteria evaluation grid (criteria and scale) and results of the selected sites.Source: own study.

Fig. 2

Few stage captures of urban theatricality of November 12th, 2019 – Emir Abdelkader avenue, accompanied by their evolutions in scenes – from exposition to denouement.Source: Khelfallah 2019.
Few stage captures of urban theatricality of November 12th, 2019 – Emir Abdelkader avenue, accompanied by their evolutions in scenes – from exposition to denouement.Source: Khelfallah 2019.

Fig. 3

From left to right; situation of urban theatericalities (Source: own study.), scenic shift from the stadium (Chemcham 2019a) to the street (Chemcham 2019d) and its theatricalisation (Chemcham 2019c).
From left to right; situation of urban theatericalities (Source: own study.), scenic shift from the stadium (Chemcham 2019a) to the street (Chemcham 2019d) and its theatricalisation (Chemcham 2019c).

Fig. 4

2.0. Youth between visual and signage – Roubeh Hocine boulevard.Source: Khelfallah 2019.
2.0. Youth between visual and signage – Roubeh Hocine boulevard.Source: Khelfallah 2019.

Fig. 5

Pictorial constructions of existential distinctions. From left to right: situation at boulevard Zighoud Youcef (Source: own study), political demonstration chanting peace, unity, brotherhood (Chemcham 2019b), and murals on the themes of peace and love.Source: Khelfallah 2019.
Pictorial constructions of existential distinctions. From left to right: situation at boulevard Zighoud Youcef (Source: own study), political demonstration chanting peace, unity, brotherhood (Chemcham 2019b), and murals on the themes of peace and love.Source: Khelfallah 2019.

Fig. 6

Urban theatricalities around the shooting of a music clip – City Centre, May 21st, 2019.Source: Khelfallah 2019.
Urban theatricalities around the shooting of a music clip – City Centre, May 21st, 2019.Source: Khelfallah 2019.

Fig. 7

Synthesis of lexical occurrences analysis of the corpus.Source: own study.
Synthesis of lexical occurrences analysis of the corpus.Source: own study.

Fig. 8

Mural ‘la casa de papel’. On the left as is seen on the web (La casa de papel 2019). On the right in Jijel – Village Moussa area (December 20th, 2019).Source: Khelfallah 2019.
Mural ‘la casa de papel’. On the left as is seen on the web (La casa de papel 2019). On the right in Jijel – Village Moussa area (December 20th, 2019).Source: Khelfallah 2019.

Spatio-theatrical script design and composition of acts_

ActsTheatrical descriptionActs conceptionSpatial description
First actsExposition: presentation of actors and the piece's contextUnstable country, constitutional void, spontaneous popular movementGrouping in public space
Central actsKnots and conflictsMilitary control of country, presidential election setupPresentation of facts through demonstrations, slogans and chants
ClimaxRefusal to vote by demonstrators and mobilisation of citizens
Last actsDenouementForced voting via trash cans instead of ballot boxesGo to fictitious ballot boxes

Summary of the methodological course_

Samples
Public spacesParent populationCollection techniqueAnalysis tools
Selection modePolar diagramRandomObservationPhotography observation grid
Sample sizeSix sites(32) intervieweesInterviews (semi-directive)Interview guide content analysis software
DOI: https://doi.org/10.2478/quageo-2021-0010 | Journal eISSN: 2081-6383 | Journal ISSN: 2082-2103
Language: English
Page range: 139 - 151
Submitted on: Aug 10, 2020
Published on: Jun 30, 2021
Published by: Adam Mickiewicz University
In partnership with: Paradigm Publishing Services
Publication frequency: 4 issues per year
Related subjects:

© 2021 Sheherazad Khelfallah, Abdallah Farhi, published by Adam Mickiewicz University
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.