Fig. 1
Situation of spatial diversity zones (by category) and the selected sites. Multi-criteria evaluation grid (criteria and scale) and results of the selected sites.
Source: own study.
Table 1
Summary of the methodological course.
| Samples | ||||
|---|---|---|---|---|
| Public spaces | Parent population | Collection technique | Analysis tools | |
| Selection mode | Polar diagram | Random | Observation | Photography observation grid |
| Sample size | Six sites | (32) interviewees | Interviews (semi-directive) | Interview guide content analysis software |
[i] Source: own study.
Fig. 2
Few stage captures of urban theatricality of November 12th, 2019 – Emir Abdelkader avenue, accompanied by their evolutions in scenes – from exposition to denouement.
Source: Khelfallah 2019.
Table 2
Spatio-theatrical script design and composition of acts.
| Acts | Theatrical description | Acts conception | Spatial description |
|---|---|---|---|
| First acts | Exposition: presentation of actors and the piece's context | Unstable country, constitutional void, spontaneous popular movement | Grouping in public space |
| Central acts | Knots and conflicts | Military control of country, presidential election setup | Presentation of facts through demonstrations, slogans and chants |
| Climax | Refusal to vote by demonstrators and mobilisation of citizens | ||
| Last acts | Denouement | Forced voting via trash cans instead of ballot boxes | Go to fictitious ballot boxes |
Fig. 3
From left to right; situation of urban theatericalities (Source: own study.), scenic shift from the stadium (Chemcham 2019a) to the street (Chemcham 2019d) and its theatricalisation (Chemcham 2019c).
Fig. 4
2.0. Youth between visual and signage – Roubeh Hocine boulevard.
Source: Khelfallah 2019.
Fig. 5
Pictorial constructions of existential distinctions. From left to right: situation at boulevard Zighoud Youcef (Source: own study), political demonstration chanting peace, unity, brotherhood (Chemcham 2019b), and murals on the themes of peace and love.
Source: Khelfallah 2019.
Fig. 6
Urban theatricalities around the shooting of a music clip – City Centre, May 21st, 2019.
Source: Khelfallah 2019.
Fig. 7
Synthesis of lexical occurrences analysis of the corpus.
Source: own study.
Fig. 8
Mural ‘la casa de papel’. On the left as is seen on the web (La casa de papel 2019). On the right in Jijel – Village Moussa area (December 20th, 2019).
Source: Khelfallah 2019.